The Learning Labs in Libraries and Museums program was launched in 2011 by a public-private partnership between the Institute of Museum and Library Services (IMLS) and the John D. and Catherine T. MacArthur Foundation in response to President Obama's Educate to Innovate initiative. Through two cycles of national competitions, libraries, museums, and other community partners at 24 sites were funded to create innovative teen spaces that followed the principles of the emerging Connected Learning Framework. Learning Labs often involve partnerships and collaborations between libraries and other
There is a revolution occurring in how, when, where and even why people learn science. Learning today is continuous and on-demand. Learners of all ages seek science educational experiences from myriad sources and across multiple platforms – while at home, on weekends and even while on vacation. Unlike in the past, most science learning today is free-choice, driven primarily by an individual’s needs and interests. In fact, research indicates that much of the current disparity in a person’s science literacy derives from inequities in access to quality out-of-classroom learning opportunities
This bibliography was created for the 2015 Public Libraries & STEM Conference in Denver, CO. It lists resources related to STEM learning in a library setting.
What is the anatomy of an “aha” moment? How and why did we evolve to have such experiences? Can we prime ourselves to have them more often? Why should we care? These and similar questions were the recent focus of a cross-cutting investigation by the National Endowment for the Arts (NEA) in partnership with the Santa Fe Institute (SFI). On July 9-10, 2014, the NEA and SFI cosponsored a meeting titled “The Nature of Creativity in the Brain.” Held at SFI in Santa Fe, New Mexico, the meeting engaged a 15-member working group to perform two tasks: (a) evaluate the legacy of creativity research; and
DATE:
TEAM MEMBERS:
Art WorksNational Endowment for the Arts
In this memo, we present a first version of the conceptual framework funded by the John D. and Catherine T. Macarthur Foundation. Our goal is to provide clarity around issues of scale and spread, and to develop a tool that can inform strategic thinking by members of the DML (Digital Media and Learning) community and the broader field. At the heart or the conceptual framework is a typology of conceptions of scale. Our interviews and literature review suggest that there are fundamentally different ways of conceptualizing the goals or outcomes of scale. We identify four: adoption, replication
DATE:
TEAM MEMBERS:
Cynthia CoburnAmy CattersonJenni HiggsKatie MertzRichard Morel
Summative evaluation plays a critical role in documenting the impacts of informal science education (ISE), potentially contributing to the ISE knowledge base and informing ongoing improvements in practice and decision-making. In response to the growing demand for capacity-building in ISE evaluation, this paper presents a framework for summative evaluation based on an extensive review of literature and research-based refinements. The framework synthesizes key elements of high-quality summative evaluation into three dimensions: (a) Intervention Rationale, (b) Methodological Rigor and
This is a handout from the Science Learning Plus (SL+) Forum held on InformalScience.org from July 6-17, 2015. It lists and describes resources about research and practice collaborations.
With the success of open access publishing, Massive open online courses (MOOCs) and open education practices, the open approach to education has moved from the periphery to the mainstream. This marks a moment of victory for the open education movement, but at the same time the real battle for the direction of openness begins. As with the green movement, openness now has a market value and is subject to new tensions, such as venture capitalists funding MOOC companies. This is a crucial time for determining the future direction of open education. In this volume, Martin Weller examines four key
While industries such as music, newspapers, film and publishing have seen radical changes in their business models and practices as a direct result of new technologies, higher education has so far resisted the wholesale changes we have seen elsewhere. However, a gradual and fundamental shift in the practice of academics is taking place. Every aspect of scholarly practice is seeing changes effected by the adoption and possibilities of new technologies. This book will explore these changes, their implications for higher education, the possibilities for new forms of scholarly practice and what
In this chapter, we describe a project that addressed the unique professional development needs of docents. The vignette that opened the chapter took place about a year into a NASA-funded school trip project at the museum, at a point when the leadership on this project had undergone a complete turnover, and new leaders were attempting to understand what was happening with the project and what was necessary to move it forward and ensure its success. Elsewhere, we describe the nature of docent change in more detail (Allen & Crowley, 2014). Here, we expand upon the processes our project followed
The Open University's "Innovating Pedagogy Report" is an example of exploring innovative topics while giving oneself permission to be a bit less academic. In the report, authors choose 10 topics and write several pages on each, deliberately avoiding citing papers and supporting each individual point. This third report proposes ten innovations that are already in currency but have not yet had a profound influence on education. You can see a summary of each innovation at the menu on the right. Please contribute your comments on the report and the innovations.
DATE:
TEAM MEMBERS:
Mike SharplesAnne AdamsRebecca FergusonMark GavedPatrick McAndrewBart RientiesMartin WellerDenise Whitelock
Summative evaluations of museum exhibitions are generally conducted with the aims of measuring whether an exhibition met its goals, identifying areas for improvement, and assessing impact. In many cases, evaluation studies also serve to advance the field by providing lessons for funders, policy makers, or practitioners beyond the project. This report includes details from summative evaluations that included recommendations, particularly those that might be useful for lessons learned and suggestions for improvements to the exhibitions that were evaluated. Using a bottom-up method of review, the