In this article, Julia Rose, Director of the West Baton Rouge Museum, analyzes increased efforts by museums to include references of slave life histories into their interpretations. Rose discusses the strategies used by museums and challenges they face when presenting the tough stories of slave life.
In this article, Brenda Baker, Director of Exhibits at Madison Children's Museum and Founder and Director of greenexhibits.org, examines the practices, success stories, observations, and challenges faced by children's museums trying to "green" their exhibition programs. Baker offers idea about rethinking how the field builds and designs exhibitions based on green standards.
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TEAM MEMBERS:
Brenda Baker
resourceresearchProfessional Development, Conferences, and Networks
In this article, Cliff Abrams, principal of Abrams Associates Design, LLC, shares his frustrating experience with the RFP process. Abrams argues for much simpler, more honest approach.
In this article, Mikko Myllykoski, Experience Director at Heureka, The Finnish Science Centre, describes the exhibit design and approach of a new exhibition gallery, Heureka Classics, which honors the museum's 20th anniversary. The idea behind the exhibition was to recycle some of the museum's best exhibits within a simplistic Nordic design featuring electronic labels.
This article features critiques of the Tusher African Center at the California Academy of Sciences. Marjorie Schwarzer, Chair and Professor of the Department of Museum Studies at John F. Kennedy University, Margaret Kadoyama, Principal of Margaret Kadoyama Consulting and Adjunct Faculty in the Department of Museum Studies at John F. Kennedy University, and Sheila Pressley, Director of Education at the Fine Arts Museum of San Francisco, share their analysis of the exhibition and assess its strengths and weaknesses.
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TEAM MEMBERS:
Marjorie SchwarzerMargaret KadoyamaSheila Pressley
This article, written by three senior members of Hands on! Inc., an exhibition master planning, design, and fabrication firm, addresses the reality of green exhibition design. The authors interviewed colleagues and professionals in the field and discovered several key themes that illuminate concerns and issues associated with green exhibit design.
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TEAM MEMBERS:
Greg BelewKathy Gustafson-HiltonSharon HandyLyn Wood
In this article, Caitlin McQuade, an interpretive project developer, describes how four small history museums in St. Louis operate on tighter budgets while still fulfilling their missions. Through creative partnerships and comprehensive historical research, the leaders of these institutions have found ways to overcome the challenges of limited resources.
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TEAM MEMBERS:
Caitlin McQuadeNational Association of Museum Exhibition
This article analyzes discussion exhibits as a method for garnering visitor feedback. Authors Ben Gammon, of Ben Gammon Consulting, and Xerexes Mazda, Head of Learning and Audiences at the British Museum, critique the experimental use of this kind of exhibit in the Science Museum, London. They describe both the advantages and disadvantages of this method.
In this article, four panelists examine changes in exhibit design, identify the trends and currents that are feeding these changes, encourage more nuanced understanding of these implications, and evaluate the impact on the field. Panelists include Phyllis Rabineau, Deputy Director for Interpretation and Education at the Chicago Historical Society, Maeryta Medrano, Principal Director and President at Gyroscope, Inc., Paul Martin, Director of Exhibits at The Science Museum of Minnesota, and Lou Casagrande, President and CEO at the Boston Children's Museum.
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TEAM MEMBERS:
Lou CasagrandePaul MartinMaeryta MedranoPhyllis Rabineau
In this article, Jonathan Katz, CEO of Cinnabar, Inc., describes the development of the California Academy of Science's new Kimball Museum of Natural History and the challenge of integrating the Academy's commitment to the principles of environmental sustainability into the exhibit design itself. This was particularly challenging when it came to designing "green" specimen displays. This article is adapted from a Case Study originally posted on www.exhibitfiles.org.
In this article, Alissa Rupp, architect and exhibit designer at The Portico Group, reveals the importance of integrating emotional connections into exhibit designs for children. Rupp explains how exhibits can elicit strong emotional connections as well as the value of these emotional experiences for children and families.
In this article, Nina Simon, an experience design consultant at Museum 2.0, explores the correlation between museum and exhibit design and visitor participation. Simon suggests that increased parameters and more thoughtfully designed exhibits will yield more meaningful visitor participation.