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resource research Informal/Formal Connections
ABSTRACT The article discusses the research which has showed that music education enhances spatial reasoning skills. The result has suggested that the various kinds of musical instruction leads to spatial learning and the type of instruction has not been limited to any particular program component, musical style or instructional practice. The study has demonstrated that learning standard notation promotes the facilitation of the performance in the spatial-temporal tasks. The music instruction has contributed to the improvement of at least one type of spatial skill in which it is projected to
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TEAM MEMBERS: Lois Hetland University of Illinois
resource research Public Programs
The article discusses the research which showed that the usage of drama in the classroom by the educators can promote a deeper learning in the variety of verbal fields. Drama has been considered as an effective tool to improve the accomplishment in story understanding, reading achievement, reading preparedness and writing. The result has demonstrated that the drama helps the children to master the texts they enact and to practice the new materials that are not yet enacted. The study has showed that drama instruction can serve as a creative and effective instrument for learning that exceeds
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TEAM MEMBERS: Ann Podlozny University of Illinois
resource research Public Programs
Can the study of dance lead to enhanced academic skills? Dance is an art form that makes use of a wide variety of cognitive skills and may call upon many of the intelligences identified by Howard Gardner in his theory of multiple intelligences. Clearly dance involves nonverbal spatial and musical intelligence. Dance also may call upon linguistic intelligence, when students learn the verbal vocabulary of dance or when they discuss and evaluate a dance sequence. In what follows, we report the results of two very small meta-analyses testing the claims that dance instruction leads to improvements
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TEAM MEMBERS: Mia Keinänen Lois Hetland Ellen Winner
resource research Exhibitions
There is growing interest in the nature of the museum experience among researchers in the fields of art and museum education. The museum experience is broadly defined by John Falk and Lynn Dierking as all that transpires between the person's first thought of visiting a museum, through the actual visit, and then beyond, when the museum experience remains only in memory. Additionally, they propose that this experience varies from individual to individual and, in fact, is dependent upon the interaction between the personal context (the visitor's life experiences, interests and expectations), the
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TEAM MEMBERS: Carole Henry
resource research Informal/Formal Connections
Can reading skills be enhanced by instruction in the visual arts? Arts education researchers have sometimes made this claim and have argued that the visual arts can play a strong role in the teaching of basic skills in the kindergarten and elementary school years. There are two possible mechanisms by which visual arts instruction might enhance reading ability, one cognitive, one motivational. The cognitive mechanism would involve transfer of skill. Perhaps visual arts training strengthens visual perception skills that can be deployed in reading.
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TEAM MEMBERS: Kristin Burger Ellen Winner University of Illinois
resource research Public Programs
This article reports on part of a larger study of how 11- and 12-year-old students construct knowledge about electricity and magnetism by drawing on aspects of their experiences during the course of a school visit to an interactive science museum and subsequent classroom activities linked to the science museum exhibits. The significance of this study is that it focuses on an aspect of school visits to informal learning centers that has been neglected by researchers in the past, namely the influence of post-visit activities in the classroom on subsequent learning and knowledge construction
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TEAM MEMBERS: David Anderson Keith Lucas Ian Ginns Lynn Dierking
resource research Professional Development, Conferences, and Networks
An effective youth development-based training program includes such key elements as building trust, engaging participants, and setting high expectations. This article presents practical suggestions and a useful checklist for program planners.
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TEAM MEMBERS: Jessica Mates Avra Rice
resource research Public Programs
A vivid portrait of a little girl, her mother, and their experience at a neighborhood agency demonstrates how stories taken from the field can illustrate the power of peer education and motivate staff toward more inspired educational after school programming.
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TEAM MEMBERS: Sara Hill
resource research Public Programs
A program that combines sports and literature can improve students’ reading, writing, and comprehension skills. What’s more, it promotes children’s personal development and selfesteem, and forges a link between sports, literature, and their daily lives.
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TEAM MEMBERS: Tom Zierk
resource research Public Programs
Children thrive individually when they feel part of a group. Thus every youth organization must intentionally create an agency culture that promotes positive values and relationships. Using social group work theory and her own experience as an agency director, the author proposes a Model for Common Humanity: nine principles that can guide the fostering of an agency milieu.
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TEAM MEMBERS: Eileen Lyons
resource research Public Programs
At a family service agency in the North Bronx, staff members have drawn a vital connection between community and literacy. The authors explain how their literacy program evolved from a basic tutoring opportunity into a curriculum using themes and information gleaned from the young participants’ immediate community surroundings.
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TEAM MEMBERS: Jonathan Shevin Chris Young
resource research Public Programs
The worlds of business and youth-based community organizations share similar philosophies of creativity, collaboration and communication. Using research conducted at an urban youth theater program, the author demonstrates how young artists play organizational roles and act with a “sense of agency” comparable to that of the corporate world.
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TEAM MEMBERS: Shirley Heath