The science museum field has made tremendous advances in understanding museum learning, but little has been done to consolidate and synthesize these findings to encourage widespread improvements in practice. By clearly presenting the most current knowledge of museum learning, In Principle, In Practice aims to promote effective programs and exhibitions, identify promising approaches for future research, and develop strategies for implementing and sustaining connections between research and practice in the museum community.
Genetics was developed by The Tech staff in collaboration with Stanford University and was funded by the National Institutes of Health Science Education Partnership Award (SEPA) program. The evaluation documents the impact and effectiveness of the exhibition using timing and tracking observations and exit interviews. It also examines the partnership between The Tech and Stanford University through interviews with graduate students, who conduct programs in the exhibition, and their supervisor (results are not included in this summary).
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Randi KornThe Tech Museum of Innovation
Front-line educators are arguably critical to the visitor experience at museums and science centers across the country. However, little research exists to inform staff facilitation strategies or professional development efforts. In this article, we describe the results of a qualitative study of 63 staff-family interactions in a science center, focusing particularly on the role of adult family members.We observed three distinct phases of interaction, during which adult family members acted as gatekeepers to deeper staff engagement. The results suggest that in order to successfully facilitate
Poster on NSF grant DRL-1008546 (""The Handheld Signing Math & Science Dictionaries for Deaf and Hard of Hearing Museum Visitors Research Project"") at the 2012 ISE PI Meeting.
Presentation on NSF grant DRL-0714629 (""Collaborative Research: Cosmic Serpent - Bridging Native and Western Science Learning in Informal Settings"") presented at the CAISE Convening on Professional Development and Informal Science Education, February 2nd, 2012.
Conceived as part the Denver Evaluation Network, the City Value Study sought to understand whether people visiting one of the cultural institutions in the Network valued that museum. Further, participants were asked to explain, in their own words, more about why they valued that particular institution; what that museum offered themselves, their family, and their community; and what other leisure options they had considered for the day. Following these interview questions, administered by DMNS Research Assistants, each respondent completed a short, demographic questionnaire. Data collection
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Laureen TrainerDenver Museum of Nature & Science
This report presents visitors' perceptions of out-of-date and up-to-date exhibits at the Museum of Science, Boston. The purpose of this study was to learn about specific exhibits that visitors' view as outdated and any characteristics that influence visitors' opinions in this regard. For this report, data were collected in three stages between December 2009 and June 2010. Data from an exit interview, a prompted camera interview, and a post-refurbishment interview provide suggestions for the Exhibit Department to consider as they prioritize exhibits they plan to refurbish or replace. The
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Ann Lindgren-StreicherMarta BeyerIyar MazarMuseum of Science
Suitcase Science is a community-inspired theatre program and exhibit that highlights many scientific disciplines, including anthropology, biology, chemistry, geology, sociology and material culture. Its development was funded through a Legacy grant from the state of Minnesota. To help generate topics and ideas to include in the Suitcase Science show and exhibit, SMM held several workshops in communities around the state. SMM staff invited local community members to bring two objects of value, meaning, or significance to the workshop and to share their story about them. These stories and
In 2005, the Exhibit Operations Department at the Museum of Science, Boston became concerned by the number of visitor comment cards that cited frustration with broken exhibits. As a result, they approached the Research Department to carry out a study to determine the visitors' perspectives of maintenance issues. The Research Department addressed this matter by seeking answers to the following questions: 1. Where is the discrepancy between what visitors and maintenance workers call broken 2. What factors related to broken exhibits frustrate visitors most? 3. What counts as broken in the eyes of
Museums are places where visitors of all abilities and disabilities are invited to learn. This diversity offers a unique challenge how can museums ensure that everyone can benefit from the learning experience? Universal design, which is the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design (Center for Universal Design, 2002), puts forward a potential solution. This paper offers an overview of universal design, including its practice in the museum, formal education, and digital media fields, and