Goodman Research Group, Inc. (GRG), an evaluation research firm specializing in the evaluation of educational programs, services, and materials, is conducting an evaluation of PEEP and the Big Wide World (PEEP). The primary focus of the evaluation is to assess PEEP's appeal and the extent to which the various components of PEEP (e.g., television series, Web site, and educators' print guide) contribute to encouraging children ages 3-5 years to engage in hands-on science explorations of their everyday environments. GRG employed several data collection methods to assess PEEP, including a children
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TEAM MEMBERS:
Jennifer BeckWGBH-TV BostonJennie MurackIrene F Goodman
In 2005, WGBH began production of a new television series for children called FETCH. FETCH is a competition-based game/reality show for 6-10 year-old children that includes both animation and live action footage. The show is hosted by a cartoon dog named Ruff Ruffman. FETCH is scheduled to begin airing on PBS in May of 2006. In December 2005, WGBH contracted Goodman Research Group, Inc. (GRG), a research firm specializing in the evaluation of educational programs, materials, and services, to conduct an early summative evaluation of the series. Because Season One was still in production, a
In 2004, WGBH received partial funding from the National Science Foundation to create Einstein's Big Idea, a two-hour docudrama on Einstein and the history of the formula E=mc2. Based on the book E=mc2, A Biography of the World's Most Famous Equation by David Bodanis, the program highlights the stories of those who helped develop the key concepts that make up the equation, with a particular focus on how Einstein pulled together these concepts to create E=mc2. Through these stories, Einstein's Big Idea focuses on four themes that served as learning goals for the project. The four themes are: (1
With support from the National Science Foundation and Best Buy, Twin Cities Public Television has produced a science series for children. Entitled "DragonflyTV," the series presents real kids engaged in real science to promote the process of science inquiry in viewers. This formative evaluation gathered feedback from 5th and 6th graders in response to three 28 minute videos, presented one per week. The following were the general research goals: To evaluate change in student ability to design an experiment To measure change in interest in doing one's own science investigation To determine
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TEAM MEMBERS:
Barbara FlaggTwin Cities Public Television
In the Spring of 2003, Rockman et al conducted an evaluation that was designed to explore children's viewing behavior, outcomes of viewing, the impact of the program's structural features, viewers' content preferences, and factors that motivate greater participation by viewers. Nearly six hundred children and twenty-five adults in three major U.S. cities participated in this study. Evaluation activities included: Five sets of student surveys: one administered prior to viewing episodes of DragonflyTV, one following each of the three programs viewed as part of the evaluation, and one
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TEAM MEMBERS:
Rockman, et. al.Twin Cities Public TelevisionJennifer Borland
In 2005, WGBH began production of a new science television series for children called FETCH. FETCH is a competition-based game/reality show for 6-10 year old children that consists of both animation and live action footage. The show is hosted by a cartoon dog named Ruff Ruffman. Each week Ruff assigns competitors from a cast of real kids to leave the studio and go out into the world and complete challenges. There are typically two challenges assigned in each show. One challenge per episode requires its contestants to learn about and understand science concepts and to use scientific process
To effectively guide future museum-based segments in Twin Cities Public Television's DragonflyTV: Going Places in Science series, Multimedia Research implemented a formative evaluation with 19 museum educators, exhibit directors and public relations staff. After viewing segments, museum staff responded to an online questionnaire focusing on the value and credibility of the segments, how the segments represent the museum community, and interest in participating in the series.
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TEAM MEMBERS:
Barbara FlaggTwin Cities Public Television
This 2009 summative evaluation of nanotechnology news segments produced by the Museum of Science utilized a post-only, double-blind, randomly-assigned treatment and control group experiment methodology.
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, collectively offer the public enriched opportunities to
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, collectively offer the public enriched opportunities to
As part of the Summative Evaluation of the DragonflyTV GPS: Going Places in Science series, between July 2005 and November 2006, RMC Research conducted a study of the collaboration between the DragonflyTV (DFTV) production staff and its science center and museum partners. Central to the innovative DFTV series, the collaboration involved museum professionals in the production process and presented science museums and centers as sites of learning and of fun on national television. It also offered professionals in the two industries a ground-breaking opportunity to learn about another format for
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TEAM MEMBERS:
Alice ApleyTwin Cities Public Television
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, will collectively offer the public enriched opportunities