In this article, Darcia A. MacMahon, Exhibits Director at the Florida Museum of Natural History, reflects on a trip to Nepal as an opportunity to consider the cultural complexities and new approaches to exhibit design when working on international projects. MacMahon presents ten questions for professionals to consider when developing exhibitions that contribute to the ongoing conversation about the role of museums in a cultural heritage context.
In this article, Donna R. Braden, Experience Develop and Curator at The Henry Ford in Dearborn, Michigan, provides tools and strategies to reduce "friction" when developing exhibitions. Included are helpful worksheets and lists that assist exhibit developers as they establish parameters while laying the initial exhibit groundwork, promote collaboration amongst the team, and assist stakeholders and other decision-makers in efficiently fulfilling their roles in the exhibition planning process. These tools and strategies are intended to be used as a personal toolkit, and can be adapted or revised
In this article, contracts attorney Bruce A. Falk offers a practical guide to circumventing the legalities of soliciting content from third-parties (i.e. audience participation). Falk provides a brief history of copyright and contract law and useful examples and models of contracts, in response to the growing trend of museums integrating user-generated content into their spaces and programs.
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TEAM MEMBERS:
Bruce A. FalkNational Association for Museum Exhibition
This article features three critiques of the exhibition "MN150" at the Minnesota History Center, part of the celebration of the Sesquicentennial of the State of Minnesota. Roger Barrett, Exhibit Designer at the Science Museum of Minnesota, Liza Pryor, Project Leader in the Exhibits Department at the Science Museum of Minnesota, and Jeanne Vergeront, Principal of Vergeront Museum Planning, each provide an assessment of the exhibition.
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TEAM MEMBERS:
Roger BarrettLiza PryerJeanne W. Vergeront
In this article, John Jacobsen, CEO and CO-PI at the White Oak Institute, President of White Oak Associates, and Co-Chair of the Professional Interest Committee for Green Museums (PIC Green), explores sustainable design and argues that large museums have a lot to learn from smaller institutions. Jacobsen outlines how and why museums should take a "leaner and greener" approach.
In this article, Lea T.F. Warden, Independent Researcher/Collections Manager, examines traveling exhibitions and their impact on the environment. Warden discusses there interrelated aspects of traveling exhibitions where resource conservation is particularly in need of improvement: transportation, packaging, and scheduling. Warden argues that museums must take more responsibility for the role it plays in the larger context of environmental degradation if they want to continue to produce and house traveling exhibitions.
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TEAM MEMBERS:
Lea T.F. WardenNational Association for Museum Exhibition
In this article, Eric Siegel, Director and Chief Content Officer at the New York Hall of Science, addresses examples of exhibitions that attempt to create experiences that communicate phenomena too big, small, slow, or abstract for normal sensory comprehension. This article also includes a case study by Gretchen Baker, Exhibition Development Manager at the Field Museum, and a case study by Tim Martin, Principal of Tim Martin Design.
In this article, Lee H. Skolnick, Founding Principal of Lee H. Skolnick Architecture + Design Partnership, critiques the Museum of Sex and explores sex as an appropriate museum exhibition topic. Skolnick concludes that sex can have a place in exhibits and investigates how to design such exhibits.
In this article, Joan Krevlin, Partner at BKSK Architects, discusses the "Preschool Playground" exhibition at the New York Hall of Science, where children discover the environment and learn principles of science through sensory exploration. Krevlin outlines the background, planning process, and design of the unique exhibit.
In this article, Ingrid M. Kanics, OTR/L, Senior Play Environment Specialist, and Heather Scrivner-Mediate, Director of Communications & Business Development, both at Center for Creative Play, discuss the theory and practice of creating play environments that support children of all abilities. The design must incorporate the Principles of Universal Design, Developmentally Appropriate Practices, and Experiential Variety, which are described in this article.
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TEAM MEMBERS:
Ingrid M. Kanics, OTR/LHeather Scrivner-Meidate
This article offers new research to the discussion about the role of museums in the context of changing society. The authors hoped to add to the community discourse by sharing how they promoted and recognized visitor action in their museums. The article examines the Social Diffusion of Ideas by John Fraser, the COURAGE project by Tom Hanchett, and Time's Running Out - Act Now by Jon Deuel and Jenny Sayre Ramberg.
This article explores the ways imagination and how museum professionals can foster new ways of thinking in their work and products as well as encourage visitors to be more aware of their museums experiences. In the Introduction, D. Lynn McRainey, Elizabeth F. Cheney Director of Education at the Chicago History Museum, discusses two projects that changed her practices as a museum educator and her understanding of learning in museums. Next, Leslie Bedford, Director of Leadership in Museum Education Program at Bank Street College, examines the meaning of imagination and how narrative and
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TEAM MEMBERS:
D. Lynn McRaineyLeslie BedfordDaniel SpockAndrew Anway