Assessing the Impact of a Visit to a Zoo or Aquarium: A Multi-institutional Research Project will create a functional taxonomy of zoo/aquarium visitors' entering knowledge, attitudes and behaviors. This taxonomy, in conjunction with data about the specific experiences visitors have during their visit, will enable investigators to understand and predict the contribution of zoos and aquariums to the public understanding of animals and their conservation. The results will clarify the role of zoos and aquariums as centers of informal learning and point to ways to strengthen their educational impact. The AZA convened a national advisory committee that commissioned and completed a thorough review, confirming a critical need to conduct more research, particularly research that attempts to ask broad questions, collect data systematically, and includes sufficient number and types of institutions to permit community-wide generalizations. Twelve AZA institutions of various sizes, geographic regions and types will participate in the study. The net result of the study will be a descriptive model of zoo and aquarium visitor learning experiences and development of a set of diagnostic tools to help zoo and aquaria staff understand and enhance the nature and extent of their public impact.
Partnering with National Musical Arts, the Science Museum of Minnesota seeks to develop BioMusic, a 4,000 sq. ft. traveling exhibition that explores the origins of music in nature and the connections between music and sound of living things. This project is based on planning grant ESI-0211611 (The Music of Nature and the Nature of Music) awarded to NMA. The project is based on the emerging interdisciplinary research field of biomusic, which includes musicology plus aspects of neuroscience, biology, zoology, environmental science, physics, psychology, math and anthropology. The exhibit sections -- "Humanimal" Music; Natural Symphonies; Ancient Roots; Music, Body and Mind; and World of Music -- use both music and natural sound to explore biodiversity, cultural diversity, the physics of sound and the brain. BROADER IMPACT: The exhibition is expected to travel for at least six years, reaching some two million people in 18 communities. It is to be accompanied by a six-part radio series (Sweet Bird Classics) for young children. Because of the connection to music and many other areas of public interest, this exhibition has the potential to attract and engage new audiences to science museums and stimulate their interest in STEM.
Carl Batt of Cornell University is a Discovery Corps Senior Fellow for the 2007-2008 academic year. the natural ability of bacterial surface-layer proteins to self-assemble into two-dimensional, nanoscale arrays. These biological arrays will be exploited to produce a variety of nanoscale structures, including silicon nano pillars, which have potential use in new optical and electronic devices. Batt will use the scientific discoveries arising from his research to expand outreach to the public through interactive, traveling museum exhibits and to develop improved models for understanding and describing nanoscale phenomena. The goals of the project include the development of the "Chronicles of a Science Experiment," which will provide the public with a view of the evolution of a science project over time. This Discovery Corps Senior Fellowship is supported by the Division of Chemistry and the Informal Science Education (ISE) program of the Division of Research on Learning in Formal and Informal Settings (EHR/DRL). The Discovery Corps Fellowship Program seeks new postdoctoral and professional development models that combine research expertise with professional service. Discovery Corps Fellows leverage their research expertise through projects that address areas of national need.
CENTC's (Center for Enabling New Technologies Through Catalysis) outreach is focused on partnerships with science centers. Initially we worked with the Pacific Science Center (PSC) to train our students in effective communication of science concepts to public audiences. Later we developed a short-term exhibit, Chemist - Catalysts for Change in the Portal to Current Research space. As part of the CCI/AISL partnership program, we partnered with Liberty Science Center to create an activity on a multi-touch media table, "Molecule Magic." We are currently developing another exhibit with PSC.
This article focuses on traveling exhibits with special attention to budgets and contracts. Cathy Ferree Bork, Associate Vice President of Exhibits at the Children's Museum of Indianapolis, and Tamara Wooten-Bonner, Director of Exhibitions and Publications at the Dallas Museum of Art, discuss the nuts and bolts of budgets. Michelle Torres-Carmona, Director of Scheduling & Exhibitor Relations at the Smithsonian Institution Traveling Exhibition Service, and Whitney Owens, Traveling Exhibitions Director at the Field Museum of Natural History, focus on contracts.
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Michelle Torres-CarmonaCathy BorkTamara Wooten-BonnerWhitney Owens
In this exhibition review, Barbara Cohen-Stratner, the Judy R. and Alfred A. Rosenberg Curator of Exhibitions for The New York Public Library for the Performing Arts, examines the "Abolition200" project, programs and exhibits that commemorate the 200th anniversary of the Parliamentary act that ended British participation in the Atlantic Slave Trade. Cohen-Stratner focuses on three major exhibitions--one that commissioned a new art work, one that relabeled elements of its permanent display, and one that combined these methods--to discuss how museums can develop exhibitions and reinterpret
In this article, Rich Faron, president, and Susan Curran, director, both of Museum Explorer, Inc., explore the importance of internal relationships among museum staff. In particular, the authors outline "Five Ts for successful teams" and other ways to improve teamwork amongst museum professionals.
In this exhibition review, Eric Siegel, Director and Chief Content Officer at the New York Hall of Science, critiques the "Mythic Creatures: Dragons, Unicorns, and Mermaids" exhibit at the American Museum of Natural History. Siegel provides a walkthrough of the exhibit and remarks about the audience and pedagogy.
In this article, George Mayer, Vice-President of Museum Services for Art Guild, Inc., guides exhibit developer on how to write successful Request for Proposals (RFPs). Mayer emphasizes the importance of "doing your homework first" to better understand your project, partners/contractors, and shared goals.
In this article, Douglas Simpson, Senior Exhibit Designer and Associate at Cambridge Seven Associates, Inc., provides tips and advice for hiring an exhibit design consultant. Simpson provides resources for finding an exhibit designer, comments on speculative design, and discusses processes like contact negotiations, communication, and documentation.
In this article, Erich Zuern, Producer for Derse Museum Group, discusses Request For Proposals (RFPs) and how to make sure you receive proposals that are focused on your needs from the most qualified firms. Zuern also addresses the factors that affect a firm's decision.
In this article, Serena Furman, Principal of A Space Design, provides a guide for improving RFP bidding. Furman outlines the steps needed to prepare the RFP and RFP Response. Included are quotes from the field illustrating concerns from both the Museum Staff and Contractor's side of the RFP process.