In this article, Darcia A. MacMahon, Exhibits Director at the Florida Museum of Natural History, reflects on a trip to Nepal as an opportunity to consider the cultural complexities and new approaches to exhibit design when working on international projects. MacMahon presents ten questions for professionals to consider when developing exhibitions that contribute to the ongoing conversation about the role of museums in a cultural heritage context.
This article features three critiques of the exhibition "MN150" at the Minnesota History Center, part of the celebration of the Sesquicentennial of the State of Minnesota. Roger Barrett, Exhibit Designer at the Science Museum of Minnesota, Liza Pryor, Project Leader in the Exhibits Department at the Science Museum of Minnesota, and Jeanne Vergeront, Principal of Vergeront Museum Planning, each provide an assessment of the exhibition.
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Roger BarrettLiza PryerJeanne W. Vergeront
In this article, Lee H. Skolnick, Founding Principal of Lee H. Skolnick Architecture + Design Partnership, critiques the Museum of Sex and explores sex as an appropriate museum exhibition topic. Skolnick concludes that sex can have a place in exhibits and investigates how to design such exhibits.
This article offers new research to the discussion about the role of museums in the context of changing society. The authors hoped to add to the community discourse by sharing how they promoted and recognized visitor action in their museums. The article examines the Social Diffusion of Ideas by John Fraser, the COURAGE project by Tom Hanchett, and Time's Running Out - Act Now by Jon Deuel and Jenny Sayre Ramberg.
This article explores the ways imagination and how museum professionals can foster new ways of thinking in their work and products as well as encourage visitors to be more aware of their museums experiences. In the Introduction, D. Lynn McRainey, Elizabeth F. Cheney Director of Education at the Chicago History Museum, discusses two projects that changed her practices as a museum educator and her understanding of learning in museums. Next, Leslie Bedford, Director of Leadership in Museum Education Program at Bank Street College, examines the meaning of imagination and how narrative and
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D. Lynn McRaineyLeslie BedfordDaniel SpockAndrew Anway
In this article, Gary T. Johnson, President of the Chicago History Museum, discusses the Spanish-language initiative at his museum. Johnson describes how Spanish exhibit labels were received , lessons learned about preparing Spanish labels, and additional ways the museum attempts to reach out to Chicago's diverse community.
This article features critiques of the "Race: Are We So Different?" traveling exhibition that was inaugurated at the Science Museum of Minnesota in 2007. Brian Horrigan, Exhibit Developer at the Minnesota Historical Society, Ida B. Tomlin, Chief Operating Officer at the Detroit Science Center, Kirsten M. Ellenbogen and Murphy Pizza, both of the Department of Evaluation and Research at the Science Museum of Minnesota, share their analysis of the exhibition and assess its strengths and weaknesses.
Chabot Space and Science Center is developing an exhibit of Chinese astronomical artifacts and organizing a United States tour of the exhibit. "Dragon Skies: Astronomy of Imperial China" consists of 31 exhibit pieces, including seven large astronomical instruments, chronographs, stone carvings and star maps. Many of these artifacts have never before left China. In order to increase the awareness and understanding of students, teachers and the public about Imperial China's rich astronomical achievements, Chabot will develop a variety of interpretive materials and programs that address interests and learning styles, present scientifically and historically accurate information, and serve both informal and formal educational audiences. These materials will include a planetarium show, an audio tour, special signage, multimedia animations/interactive kiosks, a web site, student activities, community events, a science drama program, activities for the general public and a variety of printed materials. Many components will be developed in English, Mandarin and Cantonese.
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TEAM MEMBERS:
Alexandra BarnettCynthia AshleyMichael Reynolds
The Museum of Science and Industry in Tampa, Florida, will develop a permanent exhibition and associated educational programs on natural hazards, phenomena that become "natural disasters" when they interact with the human community and its built environment. The exhibition, 9000 square feet in size, will address the science of these phenomena, the science and technology of forecasting and mitigation strategies and techniques. The exhibition features floods, hurricanes, wildfires, lightning, hail, tornadoes, earthquakes and volcanoes. The exhibition begins with an overview and a focus on the dynamic earth. It then presents a streetscape of buildings devastated by the phenomena and eight interactive areas dealing with each of the hazards. The concluding sections include a demonstration stage and a series of elements that focus on communications, community preparedness and response and forecasting. Ancillary materials include: a family exhibition guide, teacher preparation materials, classroom materials on forecasting, a distance learning program and a brochure for the public (to be developed by IBHS). Central to the project is MOSI's partnership and campus neighbor, Institute for Business and Home Safety, a nonprofit arm of the insurance industry with a mandate to educating Americans about natural disasters and ways to mitigate loss and suffering. Other partners include FEMA, USGS, Red Cross, NFPA, local schools and community based organizations. The Institute for Learning Innovation will conduct the evaluation, supplemented by action research investigations by the University of South Florida. A local high school emphasizing design and art will participate in the exhibition development process.
The San Diego Society of Natural History (SDSNH) will design, fabricate and install a 9,000 square foot permanent exhibition exploring the fundamental scientific concepts of paleontology, geology, biology and ecology as they pertain to prehistoric southern California and the peninsula of Baja California. Playing the role of paleontologist, visitors will be invited to ponder a mystery, explore the setting, examine the evidence, and use scientific tools to discover answers. Carefully crafted settings will support exploration that engages learners of all ages at levels for both novice and experienced learners. Visitors will discover how natural patterns reveal natural processes, and examine the relationship between past, present and future. Focused activities will enable visitors to exercise their skills of observation and critical thinking, with exhibits that promote learning in a family context. The exhibits and activities focus on the Museum's collections and research, and are grounded in comprehensive visitor research supporting exhibit development. The exhibition and related science education materials will demonstrate how these fundamental concepts can be investigated in a regional setting. Visitors will extend their learning experience beyond the museum through a content-rich interactive website, a popular book on regional geology and paleontology, and related public programs and fossil displays at regional nature centers near the actual discovery sites. Exhibition planning, program evaluation and visitor research will be widely disseminated as contributions to the literature on best practices for interpretation of prehistoric life and landscapes.
The Buffalo Bill Historical Center will develop the "Greater Yellowstone Adventure project," encompassing 1,719 square meters of exhibits in the Center's newly constructed Draper Museum of Natural History. The exhibits and associated programming constitute a major cultural and educational resource for underserved residents of rural, northwestern Wyoming and approximately 500,000 annual visitors to the region. The goal of Greater Yellowstone Adventure is to promote understanding of the relationships binding humans and nature and the use of science in exploring those relationships. The exhibits are orgainized into three galleries: Expedition Trailhead, Braided Paths and Tangled Destinies, and Seasons of Discovery.
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TEAM MEMBERS:
Charles PrestonMaryanne AdrusEugene ReberRobert PickeringMarcia Britton
The Anchorage Museum Association, in collaboration and partnership with the Yup'ik Calista Elders Council, will work in one year to plan exhibits, educational programs and a web site for a traveling exhibition of 19th century Yup'ik technology. The exhibit will combine masterworks from the Berlin Ethnographic Museum with Yup'ik technology from the Smithsonian Institution and present them in ways that will allow Native and non-Native visitors to gain new under-standings of Yup'ik technology from the Yup'ik point of view. The planning process will bring together with Yup'ik elders, scientists and museum professionals for a series of planning meetings, demonstrations of Yup'ik technology and workshops on raw materials and traditional manufacturing techniques, culminating in a exhibit development workshop integrating front-end evaluation, learning goals and design parameters, and formative evaluation planning.