In this article, Lee H. Skolnick, Founding Principal of Lee H. Skolnick Architecture + Design Partnership, critiques the Museum of Sex and explores sex as an appropriate museum exhibition topic. Skolnick concludes that sex can have a place in exhibits and investigates how to design such exhibits.
This article offers new research to the discussion about the role of museums in the context of changing society. The authors hoped to add to the community discourse by sharing how they promoted and recognized visitor action in their museums. The article examines the Social Diffusion of Ideas by John Fraser, the COURAGE project by Tom Hanchett, and Time's Running Out - Act Now by Jon Deuel and Jenny Sayre Ramberg.
This article explores the ways imagination and how museum professionals can foster new ways of thinking in their work and products as well as encourage visitors to be more aware of their museums experiences. In the Introduction, D. Lynn McRainey, Elizabeth F. Cheney Director of Education at the Chicago History Museum, discusses two projects that changed her practices as a museum educator and her understanding of learning in museums. Next, Leslie Bedford, Director of Leadership in Museum Education Program at Bank Street College, examines the meaning of imagination and how narrative and
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TEAM MEMBERS:
D. Lynn McRaineyLeslie BedfordDaniel SpockAndrew Anway
In this article, Gary T. Johnson, President of the Chicago History Museum, discusses the Spanish-language initiative at his museum. Johnson describes how Spanish exhibit labels were received , lessons learned about preparing Spanish labels, and additional ways the museum attempts to reach out to Chicago's diverse community.
In February 2005, randomly selected museum visitors were interviewed about their interest in and knowledge about a topic for a new exhibition under development by the Washington State Historical Society (WSHS), called "Tracking the West." (Note: The working title has since been changed to "The West the Railroads Made," but this report keeps the references to the former title.) Since this is intended to be a traveling exhibition, visitors at two potential sites were interviewed: in Tacoma, Washington (at the host institution for this front-end study), and in Chicago, Illinois, at the Chicago
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TEAM MEMBERS:
Beverly SerrellWashington State Historical Society
The Indiana State Museum is planning a new, comprehensive exhibition about the history and uses of corn, from 8000 years ago to the present. The environmental, economic, and cultural impacts of the development of corn breeding will be explored. A front-end evaluation was conducted to see what visitors know about the biology and uses of this plant.
Chabot Space and Science Center is developing an exhibit of Chinese astronomical artifacts and organizing a United States tour of the exhibit. "Dragon Skies: Astronomy of Imperial China" consists of 31 exhibit pieces, including seven large astronomical instruments, chronographs, stone carvings and star maps. Many of these artifacts have never before left China. In order to increase the awareness and understanding of students, teachers and the public about Imperial China's rich astronomical achievements, Chabot will develop a variety of interpretive materials and programs that address interests and learning styles, present scientifically and historically accurate information, and serve both informal and formal educational audiences. These materials will include a planetarium show, an audio tour, special signage, multimedia animations/interactive kiosks, a web site, student activities, community events, a science drama program, activities for the general public and a variety of printed materials. Many components will be developed in English, Mandarin and Cantonese.
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TEAM MEMBERS:
Alexandra BarnettCynthia AshleyMichael Reynolds
The Hugh Moore Historical Park and Museum will develop an integrated framework of exhibits on the science and technology of canals and inland waterways at the National Canal Museum (NCM) in Easton, PA., which will serve as a model for interdisciplinary public education and exhibit programs at other canal history organizations in more than 28 states, primarily east of the Mississippi River. Representatives from major waterway and industrial history sites and museums across the nation will work with NCM staff and a national advisory panel of leading informal science educators to develop, design and disseminate a series of interactive science exhibits that can travel or be replicated in museums, parks and organizations that interpret inland waterways and related industrial sites
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TEAM MEMBERS:
Edward MooneyRobert RuddKelly Austin
Chabot Space and Science Center is developing and organizing a major traveling exhibit called "Dragon Skies: Astronomical Instruments of Imperial China." The exhibit will consist of nine Chinese astronomical instruments, dating between 1439 and 1744, as well as 25 smaller artifacts. In addition, a variety of interpretive materials and activities will be developed to enhance the exhibit. The PI, Michael Reynolds, has visited the Ancient Beijing Observatory and begun initial conversations with the staff there, resulting in tentative collaboration agreements. Subsequent to that visit, the Ancient Beijing Observatory has already determined which original instruments will be able to travel, has replicated several exhibits, and has compiled a collection of additional artifacts that will enhance the exhibit. The planning phase will be carried out by staff from Chabot, the Beijing Ancient Observatory, the Chinese Astronomical Society, and a team of advisors. Planning activities will include: Decide which aspects of exhibit development will be taken on by each partner; Determine what ancillary materials will need to be developed; Establish what interactive activities, such as hands-on activities or computer kiosks, will enhance the project; Determine what multimedia programs, such as an audio tour or planetarium shows, will increase the impact of the exhibit; Determine the translation needs for the exhibit and for the supplemental materials and programs; Arrange the logistics for the traveling exhibit; Establish criteria for venues that might display the exhibit and identify potential sites.
The Independence Seaport Museum will create "Boat Building: Art and Science," a 3,000-square foot permanent exhibit that is designed to educate visitors about the science of boat building and design. Concepts such as buoyancy, water displacement, turbulence and drag will be explored through interactives, maritime artifacts, models and oral histories of tradesmen. By using the principles identified by the Family Science Learning Research Project of the Philadelphia/Camden Informal Science Education Collaborative (PISEC), the exhibit will be user-friendly for families with young children. Visitor workstation topics may include boat building, floating, buoyancy, sails, wind and boat shape. Visitors will use science processes while learning through open-ended play and exploration. Creative programs for families and school groups, as well as curriculum materials will support the exhibit. A website and technical training manual will also be produced. Four phases of evaluation are planned, and include front-end analysis which will incorporate focus groups with children ages 7-12, and formative evaluation using prototypes of interactives. Remedial evaluation will be carried out once the exhibit opens, and summative evaluation will use tracking and exit interviews to assess learning and understanding. The estimated annual audience of over 130,000 visitors will be expanded by replicating and traveling various components to other maritime museums in partnership with the Association of Science and Technology Centers. Evaluation of traveling components will also be undertaken to determine if they present an appropriate model for maritime-based exhibits.
The Great Lakes Story is a 3,000 sq. ft. interactive traveling exhibit based on the highly successful and unique permanent exhibition at the Great Lakes Science Center. Its focus is devoted to highlighting the natural history of the Great Lakes ecosystem. The traveling exhibit will allow even more visitors around the country to understand the beauty, majesty and restoration efforts of this important national resource. Through a planned six-year tour, it is estimated "The Great Lakes Story" will be experienced by as many as three million people. There will be several components, including hands-on exhibits, organized with a centerpiece of a walk-around model of the Great Lakes region, and other interactive components. The four major areas of the exhibit are physical characteristics of the Lakes, the natural cycles and processes which shaped them over time, changes and threats to the Lakes (especially human-induced), and finally, restoration efforts to bring the Lakes back to being the rich and productive ecosystem they should be. Along with these exhibit areas, other project components are educational and marketing materials to ensure that host science centers are able to provide a complete learning experience to their youth, family, and adult audiences around the country.
The Anchorage Museum Association, in collaboration and partnership with the Yup'ik Calista Elders Council, will work in one year to plan exhibits, educational programs and a web site for a traveling exhibition of 19th century Yup'ik technology. The exhibit will combine masterworks from the Berlin Ethnographic Museum with Yup'ik technology from the Smithsonian Institution and present them in ways that will allow Native and non-Native visitors to gain new under-standings of Yup'ik technology from the Yup'ik point of view. The planning process will bring together with Yup'ik elders, scientists and museum professionals for a series of planning meetings, demonstrations of Yup'ik technology and workshops on raw materials and traditional manufacturing techniques, culminating in a exhibit development workshop integrating front-end evaluation, learning goals and design parameters, and formative evaluation planning.