In this article, Erich Zuern, Producer for Derse Museum Group, discusses Request For Proposals (RFPs) and how to make sure you receive proposals that are focused on your needs from the most qualified firms. Zuern also addresses the factors that affect a firm's decision.
In this article, Tiffany Sakato, museum studies graduate student at NYU and exhibition media intern at the National September 11 Memorial Museum, explores how American graduate programs in museum studies are preparing students to think and operate globally. Sakato argues that this trend is sprouting from the personal interest and motivation of the students themselves.
In this article, Wendy Pollock, independent consultant and former manager of the exhibition program at ASTC, reflects on her experience with the science center movement and discusses the unanticipated effects traveling exhibitions can have on host museums and staff. Pollock explains how museums have commoditized exhibitions over time and offers advice on how to improve exhibits and provide visitors with novel experiences.
This article presents examples of practical strategies for developing a positive and productive working relationship between museum clients and outside design firms contracted to develop exhibits. Authors include Donna R. Braden, Lead Experience Developer at The Henry Ford, Joseph Hines, Owner and Principal/Designer of Project Arts & Ideas, and Sharon Klotz, Director of Exhibitions at the Brooklyn Children's Museum.
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TEAM MEMBERS:
Donna BradenJoseph HinesSharon Klotz
In this article, Audrey O'Connell, Head of International Business Development at The Natural History Museum, London, describes the CASTEX Project, a collaboration of five European natural history museums who developed a set of guidelines to help museums produce and distribute natural history exhibits. O'Connell addresses the challenges and successes associated with this project.
The article is a summary of the comments and discussions a session at the 2006 AAM conference that addressed what museums in the fields of art, history, and science might learn from each other and how museums might benefit from "cross-pollination." Panel participants were Eric Siegel, Executive Vice President for Programs and Planning at the New York Hall of Science, Benjamin Filene, Director of the Public History Program at the University of North Carolina Greensboro, Deborah Schwartz, President of the Brooklyn Historical Society, and Jennifer MacGregor, Curator of Visual Arts at Wave Hill.
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TEAM MEMBERS:
Eric SiegelBenjamin FileneDeborah SchwartzJennifer MacGregor
In this article, Linda Norris, Managing Partner of Riverhill, recalls her experience as a teaching Fulbright Scholar in Ukraine. Norris focused on professional development in museums through workshops and direct consultations with museums throughout Ukraine. This article summarizes Norris's findings about the state of museums in Ukraine and her personal revelations about museums and museum work.
In this article, Penny Jennings, Senior Exhibit Developer for West Office Exhibition Design, explores three challenges of translation exhibit text: writing, scheduling, and technical logistics. Jennings advises on how to best handle these challenges and deliver quality exhibits in foreign language(s).
In this article, Nina Simon, principal at Museum 2.0, presents the opportunities and challenges for different kinds of museums in pursuing participatory visitor engagement. Simon addresses the challenges and opportunities for history museums, art museums, science museums and science centers, and children's museums.
In this article, Serena Furman, Principal of A Space Design, provides a guide for improving RFP bidding. Furman outlines the steps needed to prepare the RFP and RFP Response. Included are quotes from the field illustrating concerns from both the Museum Staff and Contractor's side of the RFP process.
In this article, Paul Orselli, President and Chief Instigator of POW! (Paul Orselli Workshop), examines the value and process of prototyping for exhibit development. Orselli provides advice on how to make the most of the prototyping process.
In this article, Alan Teller Partner at Teller Madsen, highlights the major points of a forum on exhibition evaluation at the AAM Conference in Chicago. The forum focused on three distinct approaches: the Execellent Judges Framework, Independent Critic's approach, and Summative Evaluation approach. Challenges and opportunities of each approached are discussed and are regarded as tools for museum evaluators.