This article describes an initial attempt to find out students’ perceptions of class visits to natural history museums, with regard to the museum’s role as a place for intellectual and social experience. The study followed up approximately 500 Grades 6–8 students who visited four museums of different sizes, locations and foci. Data sources included the Museum Constructivist Learning Environment Survey (M-CLES), which was adapted from Constructivist Learning Environment Survey, an open-ended question and semi-structured interviews with 50 students. The three instruments highlighted some
Design Zone’s primary objective is to engage visitors in algebraic thinking, with a special focus on reaching a target audience of 10- to 14-year-olds and their families. The exhibition is organized into three thematic areas: art, music, and engineering. Exhibits in each area are based on real-world design challenges in which math and algebra are used. Garibay Group was contracted to conduct the summative evaluation of Design Zone. Using a mixed methods approach, data were collected at three museums hosting the Design Zone exhibition.
The Lemelson Center for the Study of Invention and Innovation at the Smithsonian’s National Museum of American History (NMAH) contracted Randi Korn & Associates, Inc. (RK&A) to conduct a process evaluation for Smithsonian Affiliates’ involvement in Places of Invention (POI), an exhibition funded by the National Science Foundation. Affiliates are working with community partners to create digital content for the Interactive Map featured in the exhibition, and using POI core concepts to create local programming in conjunction with the exhibition. The study sought to understand the successes and
Zoos and aquariums have shifted their focus over recent years, taking a much more active role in wildlife conservation and in promoting conservation learning among their visitors. Research in these settings provides a valuable foundation for the emerging field of non-captive wildlife tourism. In particular, valuable lessons regarding the potential impact of wildlife encounters on visitors' conservation attitudes and behaviour can be drawn from research in zoos and aquariums. This paper explores those aspects of wildlife encounters that appear to contribute most to conservation learning. These
DATE:
TEAM MEMBERS:
R. BallantyneJ. PackerK. HughesLynn Dierking
Modern zoological gardens have invested substantial resources in technology to deliver environmental education concepts to visitors. Investment in these media reflects a currently unsubstantiated belief that visitors will both use and learn from these media alongside more traditional and less costly displays. This paper proposes a model that identifies key factors theorized to influence the likelihood of visitors engaging in technology-delivered media. Using data from two case studies of large National Science Foundation-funded projects in zoos, the authors argue key factors in predicting
This report summarizes an extensive review of the literature on assessment of learning in such informal settings as after-school programs, museums and science centers, community-based organizations, and online communities. In addition, we convened three expert meetings involving a total of 25 participants to discuss key issues, identify successful approaches and outstanding challenges, and review summaries of prior meetings in the series. Our aim is twofold: first, to offer to those who design and assess informal learning programs a model of good assessment practice, a toolkit of methods and
DATE:
TEAM MEMBERS:
Jay LemkeRobert LecusayMike ColeVera Michalchik
In this paper, research on interest and motivation is revisited in the context of informal science learning (ISL) settings such as museums, out-of school or after-school clubs or groups, science camps, and enrichment programs1. The ISL context differs from traditional school "cookbook" science in a number of critical ways: rather than emphasizing science information, it is designed to engage participants in inquiry-informed and free-choice opportunities to work with authentic science2. Productive participation in the ISL setting should enable the development of scientific literacy and
This summative evaluation was commissioned by the American Museum of Natural History (AMNH) to explore visitors’ perceptions of the exhibition, “Climate Change: ” – which was installed from October 2008 through August 2009. This report provides systematic information about visitors’ perceptions of the intended messages and about the different types of exhibitry used to create the educational and experiential value of the exhibition. The information can be used to reflect on the exhibit development and design process, to consider whether to rent the traveling exhibition, and to inform future
This study, requested by Smithsonian Secretary Lawrence Small, was conducted between April 2004 and May 2005, over all four seasons, and used the following methods: 1) open-ended interviews with 55 visit groups; 2) formal observations of a sample of 100 visitors, for which the observer estimated the age and gender of visitors and noted their paths, all stops over 3 seconds in length, what displays they looked at, and which hands-on devices they used; 3) a peer review panel comprised of seven ex- hibition specialists (curators, designers,writers, educators, and exhibition developers) who work
Signs in both English and Spanish alert museum visitors when evaluation activities are taking place. Signs indicate whether filming, photography, or videotaping with audio are taking place.
DATE:
TEAM MEMBERS:
Oregon Museum of Science and Industry
This umbrella protocol developed by the Exploratorium outlines their policy of determining whether they can share video recordings of minors based on whether or not they have obtained parental consent. Distinctions are drawn between recordings filmed in public and non-public (ie. focus group) spaces.
This document outlines OMSI's general approach to consent, differentiating between adults and minors and between adults who have been explicitly “invited” to participate and those who are in non-invitational settings, then describes details of consent for each method and audience.
DATE:
TEAM MEMBERS:
Oregon Museum of Science and Industry