The Ocean Institute will design, develop, evaluate and install "Sea Floor Science," a 5,200 sq. ft. site-wide exhibition designed in partnership with Scripps Institution of Oceanography, the Jet Propulsion Laboratory, and the Institute of Nautical Archaeology at Texas A&M University. "Sea Floor Science" will provide opportunities for families, students and the general public to use authentic oceanographic equipment, tools and technology to recreate a world of ocean research and discovery. Visitors will experience how oceanographers are exploring the largely unknown sea floor to permit better understanding of the origin of sediments and rocks, paleoclimate reconstruction as evidenced by marine microfossils, and the dynamics of oceanic lithospheres and margins. The project is a new approach to museum exhibits. It will test innovative convertibility solutions that enable public areas to serve as both teaching stations and effective exhibits. It will also implement cost-effective update strategies to keep visitors at the forefront of scientific research. "Sea Floor Science" will reach 4,000,000 people in 22 states including on-site and on-line visitors, multi-state teacher networks, videoconferencing participants, science professionals, and replication sites at science centers and aquaria nationally.
Sea Studios Foundation is developing a five-hour television-based project that will examine "Earth System Science," which will be produced in association with the National Geographic Society (NGS). Geologists, biologists, oceanographers, climatologists, social scientists and others are joining forces to understand the planet's rapidly changing environment. The series will follow the on-going research of these scientists as they investigate the links between Earth's geosphere, biosphere, hydrosphere and atmosphere. These programs are planned as the first season of an annual series on the topic. Educational outreach will include a hands-on traveling exhibit to be developed and tested by the Maryland Science Center; an Educator's Guide for print and electronic distribution to informal science centers and community organizations; a "resource toolkit" to augment the Educator's Guide and an Internet site hosted by NGS that provides links to existing and new environmental resources. The series content also will be integrated into several NGS venues including: National Geographic Today, the daily news program on the National Geographic Channel; National Geographic Magazine, which will create a "global report card" as an annual feature; and National Geographic for Kids magazine, which is distributed to children in grades three through six. The project advisory board includes: Richard Barber, Professor of Biological Oceanography, Duke University Robert Costanza, Professor of Zoology, University of Maryland Gretchen Daily, Interdisciplinary Research Scientist, Stanford University Robert Dunbar, Specialist in Global Environmental Change, Stanford University Habiba Gitay, Senior Lecturer, National Centre for Development Studies, Asia Pacific School of Economics and Management, Canberra, Australia Michael Glantz, Senior Scientist, the Environmental and Societal Impacts Group, National Center for Atmospheric Research John Katzenberger, Executive Director of Aspen Global change Institute Jane Lubchenco, Professor of Marine Biology, Oregon State University J. R. McNeill, Professor of History, Georgetown University Harold Mooney, Professor of Environmental Biology, Stanford University Steven Schneider, Professor of Environmental Biology and Global Change, Stanford University Brian Walker, Coordinator of the Commonwealth Scientific and Industrial Research Organization's Biodiversity Sector, Adelaide, South Australia
DATE:
-
TEAM MEMBERS:
Mark ShelleyTierney ThysDavid Ellisco
Building on an institution-wide strategic initiative to interpret the process of science for informal learners of all ages, the Museum of Science will work over four years to develop, evaluate and implement a project to communicate the processes of science through weather forecasting. The project is based on the idea that processes involved in short-term weather forecasting are basic to the process of science. MOS proposes to create a 1,800 square foot exhibit, programs for students and teachers, an interactive website, and one-minute television spots aimed at helping people understand weather forecasting. The project is grounded in MOS strategic commitment to engaging people in the activity of science and the use of new technologies. The major component of the project is an exhibition of weather in which visitors will learn how to forecast the weather over the next few hours using different levels of technology, including naked eye observations, data from weather maps, and real-time images from space satellites and ground radar stations. Ancillary programs include educational materials for over 100 WeatherNet schools in New England, an interactive website that will reach several hundred thousand users, and television spots on the process of weather forecasting to be aired on WBZ-TV Channel 4. Over the course of its life the project will engage several million children and adults in the process of science.
DATE:
-
TEAM MEMBERS:
Cary SneiderMishelle MichaelsDaniel Barstow
The San Diego Society of Natural History (SDSNH) will design, fabricate and install a 9,000 square foot permanent exhibition exploring the fundamental scientific concepts of paleontology, geology, biology and ecology as they pertain to prehistoric southern California and the peninsula of Baja California. Playing the role of paleontologist, visitors will be invited to ponder a mystery, explore the setting, examine the evidence, and use scientific tools to discover answers. Carefully crafted settings will support exploration that engages learners of all ages at levels for both novice and experienced learners. Visitors will discover how natural patterns reveal natural processes, and examine the relationship between past, present and future. Focused activities will enable visitors to exercise their skills of observation and critical thinking, with exhibits that promote learning in a family context. The exhibits and activities focus on the Museum's collections and research, and are grounded in comprehensive visitor research supporting exhibit development. The exhibition and related science education materials will demonstrate how these fundamental concepts can be investigated in a regional setting. Visitors will extend their learning experience beyond the museum through a content-rich interactive website, a popular book on regional geology and paleontology, and related public programs and fossil displays at regional nature centers near the actual discovery sites. Exhibition planning, program evaluation and visitor research will be widely disseminated as contributions to the literature on best practices for interpretation of prehistoric life and landscapes.
The American Museum of the Moving Image is refurbishing the traveling exhibit, "Behind the Screen: Making Motion Pictures and Television." The exhibit, which focuses on the science and technology underlying movies and television, opened at the World Financial Center in New York City and subsequently traveled to the Kulturhuset in Stockholm, Sweden and the Technisches Museum in Vienna, Austria. It currently is at the Exploratorium in San Francisco and is scheduled to travel to COSI Toledo, Ohio in October 2001. The American Museum of the Moving Image has requests for the exhibit from the Science City, Kansas City; the Franklin Institute, Philadelphia; and the Museum of Science, Boston. However, in order for the exhibit to travel to venues beyond the Exploratorium, it needs to be refurbished and upgraded. This grant provides the funds for the exhibit to remain viable and to travel to additional venues.
Chabot Space and Science Center is developing and organizing a major traveling exhibit called "Dragon Skies: Astronomical Instruments of Imperial China." The exhibit will consist of nine Chinese astronomical instruments, dating between 1439 and 1744, as well as 25 smaller artifacts. In addition, a variety of interpretive materials and activities will be developed to enhance the exhibit. The PI, Michael Reynolds, has visited the Ancient Beijing Observatory and begun initial conversations with the staff there, resulting in tentative collaboration agreements. Subsequent to that visit, the Ancient Beijing Observatory has already determined which original instruments will be able to travel, has replicated several exhibits, and has compiled a collection of additional artifacts that will enhance the exhibit. The planning phase will be carried out by staff from Chabot, the Beijing Ancient Observatory, the Chinese Astronomical Society, and a team of advisors. Planning activities will include: Decide which aspects of exhibit development will be taken on by each partner; Determine what ancillary materials will need to be developed; Establish what interactive activities, such as hands-on activities or computer kiosks, will enhance the project; Determine what multimedia programs, such as an audio tour or planetarium shows, will increase the impact of the exhibit; Determine the translation needs for the exhibit and for the supplemental materials and programs; Arrange the logistics for the traveling exhibit; Establish criteria for venues that might display the exhibit and identify potential sites.
The Space Science Institute (SSI) seeks to develop the "Stardust Project," designed to introduce the public to concepts related to the birth of stars, the search for planets beyond our solar system and the search for life beyond earth. The project's three components include a 2,500 square-foot travelling exhibition called "Stardust: Our Search for Origins;" a comprehensive education program for museum staff and grades 4-9 school teachers and a public Web site that incorporates and builds on the exhibit and education content. The project proposes to assemble standards-based educational materials for dissemination through workshops conducted at museums that host the exhibit. The educational programs -- particularly professional development workshops for teachers -- target, among other groups, underserved Native American and Hispanic teachers associated with a partnership between SSI and the NSF Rural Systematic Initiatives in the American West. The project is built around strong partnerships with two NASA Origins Program missions and with established informal education institutions including the New York Hall of Science, the Lawrence Hall of Science, the Denver Museum of Nature and Science, TERC and the SETI Institute. Its goals are to make it possible for teachers, students and the public to learn about: The formation of stars, planets, and the solar system; The conditions necessary for life; The effect of life on Earth's environment; The methods used to detect planets orbiting distant stars and The scientific tools used in origin research -- from space-based telescopes to microscopes.
The Lawrence Hall of Science at the University of California at Berkeley will develop the "Real Astronomy Experience (RAE)" in which science center visitors will explore the universe by controlling and viewing robotic telescopes via the Internet; by using image processing software to understand the images they capture; and by capturing images with a hands-on, functional telescope equipped with a Charge-Coupled Device (CCD) camera to learn how a modern telescope image-capture system works. Guided by project materials, visitors learn about the cosmos, tools and methods of scientific research, data analysis and the general progress of modern astrophysics.
The Buffalo Bill Historical Center will develop the "Greater Yellowstone Adventure project," encompassing 1,719 square meters of exhibits in the Center's newly constructed Draper Museum of Natural History. The exhibits and associated programming constitute a major cultural and educational resource for underserved residents of rural, northwestern Wyoming and approximately 500,000 annual visitors to the region. The goal of Greater Yellowstone Adventure is to promote understanding of the relationships binding humans and nature and the use of science in exploring those relationships. The exhibits are orgainized into three galleries: Expedition Trailhead, Braided Paths and Tangled Destinies, and Seasons of Discovery.
DATE:
-
TEAM MEMBERS:
Charles PrestonMaryanne AdrusEugene ReberRobert PickeringMarcia Britton
The Lawrence Hall of Science (LHS) proposes to develop a permanent, one-acre, outdoor exhibition overlooking the San Francisco Bay called called "The Forces That Shape the San Francisco Bay." The exhibition will focus on the geologic and hydrologic forces and the human impacts that have shaped the San Francisco Bay and its environs. The exhibition's interactive components and related programs will involve visitors in learning about erosion, river sediment and deposition, mountain building, folding of strata and thrusting, faulting and seismicity.
The Independence Seaport Museum will create "Boat Building: Art and Science," a 3,000-square foot permanent exhibit that is designed to educate visitors about the science of boat building and design. Concepts such as buoyancy, water displacement, turbulence and drag will be explored through interactives, maritime artifacts, models and oral histories of tradesmen. By using the principles identified by the Family Science Learning Research Project of the Philadelphia/Camden Informal Science Education Collaborative (PISEC), the exhibit will be user-friendly for families with young children. Visitor workstation topics may include boat building, floating, buoyancy, sails, wind and boat shape. Visitors will use science processes while learning through open-ended play and exploration. Creative programs for families and school groups, as well as curriculum materials will support the exhibit. A website and technical training manual will also be produced. Four phases of evaluation are planned, and include front-end analysis which will incorporate focus groups with children ages 7-12, and formative evaluation using prototypes of interactives. Remedial evaluation will be carried out once the exhibit opens, and summative evaluation will use tracking and exit interviews to assess learning and understanding. The estimated annual audience of over 130,000 visitors will be expanded by replicating and traveling various components to other maritime museums in partnership with the Association of Science and Technology Centers. Evaluation of traveling components will also be undertaken to determine if they present an appropriate model for maritime-based exhibits.
The Great Lakes Story is a 3,000 sq. ft. interactive traveling exhibit based on the highly successful and unique permanent exhibition at the Great Lakes Science Center. Its focus is devoted to highlighting the natural history of the Great Lakes ecosystem. The traveling exhibit will allow even more visitors around the country to understand the beauty, majesty and restoration efforts of this important national resource. Through a planned six-year tour, it is estimated "The Great Lakes Story" will be experienced by as many as three million people. There will be several components, including hands-on exhibits, organized with a centerpiece of a walk-around model of the Great Lakes region, and other interactive components. The four major areas of the exhibit are physical characteristics of the Lakes, the natural cycles and processes which shaped them over time, changes and threats to the Lakes (especially human-induced), and finally, restoration efforts to bring the Lakes back to being the rich and productive ecosystem they should be. Along with these exhibit areas, other project components are educational and marketing materials to ensure that host science centers are able to provide a complete learning experience to their youth, family, and adult audiences around the country.