Boston Museum of Science seeks funds from the National Science Foundation for the development of a group of interactive exhibits and educational programs that will comprise the Museum's permanent TESTING THE THEORY activity center. The project is part of a new approach to exhibits that aims to make the experiences available to visitors closer to the actual process of scientific discovery. Visitors will carry out experiments in fields ranging from chemistry and cognitive psychology, to statistics, optics, and materials science. The focus will be on promoting specific experimental skills and scientific habits of mind, and on encouraging the transfer of these skills to everyday activities. The exhibit techniques developed during the prototyping and production of TESTING THE THEORY are expected to be of importance to science museums and others concerned with increasing science literacy.
The Milwaukee Public Museum will develop two test stations: A Wetland/Wood Station and a Mobile Testing Station that will be used to evaluation how hands-on activities that incorporate scientific tools and methods can be applied to supplement the educational experience of traditional natural history museum dioramas. As a result of the MPM's work, visitors will become engaged in a "field experience" by means of techniques to encourage observing, recording of data, and hypothesizing using tools that a scientists might use to study the natural environment such as a hand lens, radio telemetry receiver, scales, rulers, and/or calipers. Visitors will also have the opportunity to investigate further in the "lab". Here visitors will use such tools as a computer, microscope, measuring grid, and they will be encouraged to experiment, infer, predict, and classify. The intent is to have the visitor discover how scientific information is used to support decisions in every day life. The development of these stations will be accompanied by considerable formative and summative evaluation studies. The results will be disseminated in order that other natural history museums with dioramas may replicate these ideas in order that visitors might move beyond the primary "animal identification" phase in their examination and enjoyment of dioramas.
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TEAM MEMBERS:
William HackbarthW. Carl TaylorJames KellyAllen YoungMary Korenic
9355625 Cassady The Children's Museum of Indianapolis is developing a new permanent 12,000 square-foot gallery, "The Wet, Wild, Wonderful World of Science: A Science Gallery That Connects Kids to Their World." Water is the catalyst for the exploration and discovery of science concepts throughout the gallery. Within the gallery are three hub context areas (Pipes and Pumps, Streams and Ponds,Tubes and Flasks) that are closely linked, both conceptually and physically. The message is that the concepts introduced in one hub also apply to the others, thus erasing artificial distinctions between natural and physical sciences. The goals of the project are: To create a gallery that will make science accessible to the museum's current and underserved visitors. To create hands-on opportunities for young people to practice scientific thinking so they may better understand the physical and natural world. To create a science education experience that promotes linkages for visitors between the learning of science in the gallery and formal and informal learning outside of the museum. To research the application of constructivist theory in the design of hands-on exhibits.
9355629 Chiss This is a project of the Chicago Children's Museum to develop, evaluate and install a 2,200 square foot permanent exhibit called "Inventing: The Process of Discovery." This exhibit engages young visitors (primarily from 6-10 yrs.) in inventive creativity, testing, and development, and teaches them a meaningful sequence of activities for problem-solving. Museum educators and adolescent interns act as multi-cultural role models in exhibit areas and facilitate hands-on learning. Every year the exhibit will serve over 500,000 children, parents and teachers in Chicago's inner city and metropolitan neighborhoods. A large percentage of this audience is under-served minority children drawn from CCM's alliances with diverse ethnic community agencies. This exhibit provides a safe haven where young multi-cultural, often disadvantaged children may find support for science learning and be encouraged to grow and participate in the many science fairs, science clubs, and invention conventions available to adolescents in the Chicago area. ***
The University Museum at the University of Arkansas is conducting preliminary planning for expansion of their 1994 pilot project entitled "Women in Science." During this planning phase, the staff will meet regularly with experts and teachers to design an exhibit about non-academic female scientists in Arkansas that will travel throughout Arkansas, outline a workshop for teachers that would help them encourage their female students to participate in math and science, and develop a program that enables female scientists to work with groups of students. At the end of the three and a half month planning stage, a final report will present a plan for the exhibition, gender workshop, and scientist program which identifies personnel, gives models/prototypes, and a budget for each facet of the proposed project.
The Health Museum (THM) is requesting $868,108 over 30 months to create a 3,600 sq. ft. permanent exhibit containing seven Body Stops components, which will maintain THM's science literacy focus by linking concepts of human biology to everyday experience through visitor exploration of the human body's seen and unseen operating systems. Ancillary instructional materials and programs will be produced. The educational goals of the project are to: 1. Promote understanding of the basic biological sciences in the context of the human life cycle and health; 2. Present vital basic science information through an active and accessible exhibit environment which complements formal science education; 3. Develop an appreciation of basic human biological sciences as they are presented similarly across all people and an appreciation of human variability as these biological processes are played out in the individual. The target audiences are families, urban youth, and student and teacher groups.
The American Museum of Natural History is developing a 10,000 sq. ft. Hall of Life's Diversity that will interpret biodiversity, what it is, why it matters to humans, why it is under threat, and what can be done to mitigate the current pattern of extinctions. The hall will have the following sections: a) the Crisis Center that will serve as the orientation place for the exhibit and where the core principles of the exhibit will be interpreted, b) four interactive habitat models that depict major ecosystems, c) the Spectrum of Life, in which specimens, models, photographs, and interactive multimedia will be juxtaposed and will serve as a field guide to the array of animal and plant life on the planet, d) a Resource Center that is devoted to educational activities, and e) a theater/classroom space. The intended audience for the exhibit is people of all ages and learning styles. The exhibit will illuminate the crucial role that science plays in our everyday lives and will promote science literacy among adults and children. In addition to the main exhibit, there will be a broad menu of complementary programming including traveling versions of the exhibit, a teacher resource guide, and a teacher-training institute. The exhibit and complementary activities are to be coordinated with New York State's State Systemic Initiative program.
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TEAM MEMBERS:
Niles EldredgeSamuel TaylorJoel Cracraft
resourceprojectProfessional Development, Conferences, and Networks
The Exploratorium will develop an exhibit "Memory: A Biological Cognitive and Cultural Exploration" along with various complementary components. The primary objective of this project is to increase the public's awareness of the extent, importance, and nature of their everyday rememberings. Exploratorium staff will use an approach to memory, and cognition in general, that considers culture and cultural differences as essential to people's thinking and behavior. The exhibit area will be about 2000 sq ft in size and will consist of ten to twelve new activities and six revised interactive, interdisciplinary exhibits. Here visitors will have the opportunity to interact with the exhibits, researchers, scientists, artists, and other visitors, to explore the nature of memory and its effect on their lives. The exhibits will give visitors direct, experiential insight into the workings of their memories. Other major components of the project include multimedia presentations, printed materials, demonstrations, film programs and a symposium. A publication Memory and Perception will be a supplemental guide that can be used by teachers and students at the secondary level. It will address appropriate themes in the Science Framework for California Public Schools. Museum professionals, researchers, teachers, and evaluators will be invited to participate in a one- week symposium on Cognition in Science Centers. The purpose of the symposium is to develop a conceptual and practical model of what presenting cognition in an informal education setting means. A report will be published and broadly disseminated by professional museum organizations. It is estimated that the project will reach approximately 629,000 visitors annually which includes 69,000 students and 550 teachers.
LightPower is one of twelve permanent exhibits being developed for the new Orlando Science Center (OSC) in Orlando, Florida. A 4,000 square foot exhibit, LightPower places lasers in their broad scientific context by focusing on light, the electromagnetic spectrum, and on lasers and their applications. Because of the large number of laser-optics research facilities and corporations in the Central Florida region, the exhibit also includes The Optics Workbench, a career-themed activity center which emphasizes careers in optics and in scientific and technical fields that utilize lasers. LightPower is being developed by a partnership that includes the Orlando Science Center, the Orange County Public Schools, and the Center for Research and Education in Electro-Optics and Lasers at the University of Central Florida. The partnership will develop, prototype, and evaluate interactive exhibit components and associated text and labels in English and Spanish; and will develop, evaluate, and distribute hands-on career-related activities in English and Spanish for students and teachers. The goal of the LightPower exhibit is to contribute to the educational infrastructure of the Central Florida region by: - Developing an interactive exhibit that facilitates learning by a diverse public, including African Americans and Latinos, and successfully communicating with both English and Spanish-speaking audiences. - Supporting middle school, junior high, and high school science curricula, and producing and distributing printed materials that detail the relationship between exhibit components and specific curriculum performance standards. - Developing successful hands-on career-related activities for students and teachers in both English and Spanish.
The California Academy of Science will develop "Chinook: A National Traveling Exhibit on Salmon." The main components will be a 3500 sq. ft. and a 5000 sq. ft. version of an exhibit about salmon ecology and biology, genetic diversity, and the science of species preservation. Futher, components of the exhibit will be reproduced for a 500 sq. ft. exhibit for the new public visitors center at the Bodega Marine Laboratory. The exhibit will focus on the Sacramento River winter-run Chinook salmon. Several themes from the California Science Frameworks and Benchmarks for Science Literacy serve as the foundation for the interpretation. Benchmarks theme of evolution and the Framework theme of patterns of change are woven throughout the exhibit and are illustrated by salmon life cycles, genetic diversity, and physical adaptations. Benchmarks theme of systems and interactions as well as the Frameworks theme of scale and structure are also incorporated in the interpretive material. The exhibit will be developed by the ichthyologists, educators, and exhibit designers of the California Academy of Science and genetic researcher from the Bodega Marine Laboratory of the University of California at Davis. Thirteen individuals have been selected as project advisors. They bring a diversity of perspectives including expert knowledge of the science concerns (salmon and habitats issues, anthropology) to the educational interests (both formal and informal). The various evaluation studies will be carried by CAS staff member Lisa Mackinney. The complementary materials linking the exhibit with formal education that will be developed are a Teachers Resource Kit and a Chinook Curriculum Guide. The Teachers Resource Kit, available to each host site, will include a slide show, a video tracing the story of salmon fisheries, a special issue of the CAS educator newsletter, sample of fish scales and otoliths, a compilation of resources from government agencies and env ironmental organizations, and a bibliography produced by the CAS Biodiversity Resource Center. The Curriculum Guide will include sixteen hands-on activities using readily available materials to reinforce the educational objectives. A Chinook Family Activity Guide targeted at families with children between the ages of five and ten, will provide parents with specific steps to facilitate discussion what at the exhibit and to suggest follow-up activities to do at home.
The Exploratorium will develop a hands-on, interactive, traveling exhibit "Garden of Complexity: Self-Organization in Nature." "Using the metaphor of a garden (a universally appreciated symbol of beauty and contemplation)" and arguing "that the essence of science is to extract organized observations from the complexity of nature," this exhibit will allow visitors to observe some of the self-organizing systems in a quiet, contemplative environment. The exhibit will be about pattern and how the natural world emerges into states that are perceived as pattered or organized. Four sub-sets of this theme will be explored; organization into patterns; surface effects - rubbing and flow; rotation, circulation, vortices, and the granular state - a different state of matter. Both existing and new artworks/activities will be used in this exhibit. The new additions will be created by individuals in the Exploratorium's Artists-in-Residence program. Their creations are both aesthetically and educationally interesting. In addition, the exhibit developers will experiment with new techniques in exhibit interpretation and they will develop activities that provide linkages with formal education. The exhibit will be circulated by the Association of Science and Technology Centers to nine sites over a three year period. It is estimated that it will reach 2.5 million people.
The Utah Museum of Natural History at the University of Utah will use this planning grant to plan an exhibit called "Canyon Through Time; Reverse Archaeology in the Grand Gulch Region." They will use the knowledge and viewpoint of the several living cultures concerned in telling this story looking at the past, the present, and the future. Breaking from the tradition of presenting only the archaeologist's "voice" in an exhibit, they will have different "voices." Their goal is to give both the local Native Americans and scientists the opportunity to tell the story as they see it. The planning grant will give them the opportunity to bring together individuals representing this diversity of viewpoint to establish the script of the exhibit. The project has the potential for serving as a model for others developing exhibits and projects on archaeological and anthropological themes where it is valuable to bring together this diversity of perspectives.