This CRPA award will provide the audience at the North Carolina Museum of Natural Sciences with a contemporary science story about a 68 million year old dinosaur. In the research behind this exhibit, soft tissue (proteins and DNA) has been isolated and will reflect various characteristics of the animal and its habitat. Scientifically, this is a very exciting venture in that up to this point it was assumed that the soft tissue was lost and could not be derived from fossils. So, this is a modern day break through on the vast field of fossils that will provide unique details in the future. In addition, the scientific processes and instrumentation shall be elaborated to provide the visitor with scientific thinking and work as well as a marvelous lesson in comparative biology. Finally, the scientist in this project is a women and it is hoped that this will be inspirational for girls. The exhibit will be focused on a dinosaur in a new specially design wing of the natural sciences museum. The areas immediately around the fossil will be populated with explanatory modules elaborating various aspects of the fossil and the pertinent science. Some hands on equipment will be in the Hall as well. The presentation is aimed at youth, families, and especially girls. In an adjacent set of rooms, there will be research scientists doing research and available for answering questions. The significance of this presentation is contained in its integration of ancient creatures with modern science thinking and processes. It appears as a science exhibit, but it is intended to be inspirational to individuals who are among underserved groups who are seldom given the opportunity to imagine and learn.
This article features critiques of the Darwin Centre, a state-of-the-art science and collection facility at the Natural History Museum in London. Stephen Pizzey, Director (and Founder) of Science Projects in London, Ian Simmons, Science Communication Director at the Centre for LIfe in Newcastle upon Tyne, UK, and Harry White, Science Centre Consultant at Techniquest in Cardiff, Wales, UK, share their analysis of the exhibition and assess its strengths and weaknesses.
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TEAM MEMBERS:
Stephen PizzeyIan SimmonsHarry White
This article features critiques of the "Goose Bumps! The Science of Fear" exhibit at the Liberty Science Center. Brenda Cowan, Chairperson of the Graduate Exhibition Design program at SUNY/Fashion Institute of Technology, Paul Orselli, Chief Instigator of Paul Orselli Workshop, and Martin Weiss, Science Interpretation Consultant at the New York Hall of Science, share their analysis of the exhibition and assess its strengths and weaknesses.
In this exhibition review, Eric Siegel, Director and Chief Content Officer at the New York Hall of Science, critiques the "Mythic Creatures: Dragons, Unicorns, and Mermaids" exhibit at the American Museum of Natural History. Siegel provides a walkthrough of the exhibit and remarks about the audience and pedagogy.
This article highlights four controversial exhibits from various institutions who, in the end, used controversy to their advantage. The authors include Kimberly Louagie, Curator of Exhibits at the Outagamie County Historical Society in Appleton, Wisconsin, Saudia Muwwakkil, Public Information Officer at the Martin Luther King, Jr. National Historic Site, Diane Perlov, Senior Vice President for Exhibits at the California Science Center, and John Russick, Curator at the Chicago Historical Society.
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TEAM MEMBERS:
Kimberly LouagieSaudia MuwwakkilDiane PerlovJohn Russick
This article features critiques of the Tusher African Center at the California Academy of Sciences. Marjorie Schwarzer, Chair and Professor of the Department of Museum Studies at John F. Kennedy University, Margaret Kadoyama, Principal of Margaret Kadoyama Consulting and Adjunct Faculty in the Department of Museum Studies at John F. Kennedy University, and Sheila Pressley, Director of Education at the Fine Arts Museum of San Francisco, share their analysis of the exhibition and assess its strengths and weaknesses.
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TEAM MEMBERS:
Marjorie SchwarzerMargaret KadoyamaSheila Pressley
In this article, Jonathan Katz, CEO of Cinnabar, Inc., describes the development of the California Academy of Science's new Kimball Museum of Natural History and the challenge of integrating the Academy's commitment to the principles of environmental sustainability into the exhibit design itself. This was particularly challenging when it came to designing "green" specimen displays. This article is adapted from a Case Study originally posted on www.exhibitfiles.org.
In this article, Marjorie Schwarzer, Professor of Museum Studies at John F. Kennedy University in Berkeley, California, describes eleven of the most influential exhibitions from the 20th century, according to NAME members surveyed for her book "Riches, Rivals and Radicals: 100 Years of Museums in America."
In this article, Sonal Bhatt, Assistant Director of Interpretation at the Wildlife Conservation Society (headquartered at the Bronx Zoo), describes the Zoo's Eco-restroom project, a multi-part experience that embodies their mission of conservation. Bhatt highlights the key features of Eco-restroom area, evaluation results, and lessons learned.
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TEAM MEMBERS:
Sonal BhattNational Association for Museum Exhibition
This article features critiques of the "The Kenneth E. Behring Family Hall of Mammals" exhibit at the National Museum of Natural History. Barbara Brennan, Senior Exhibition Designer at the Smithsonian Institution's National Air and Space Museum, Rebecca Singer, Youth Audiences Manager at Hillwood Estate, Museum and Gardens, and Andrew Pekarik, policy analyst in the Office of Policy and Analysis at the Smithsonian Institution, share their analysis of the exhibition and assess its strengths and weaknesses.
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TEAM MEMBERS:
Barbara BrennanRebecca SingerAndrew Pekarik
In this article, Sean Duran, Director of Exhibits at the Miami Museum of Science, examines how the institution serves a multicultural audience and helps bridge cultural boundaries. As an example, Duran discusses how the "Amazon Voyage: Vicious Fishes and Other Riches" exhibit will serve this international audience.
In 2003 and 2004 a summative evaluation of the Jellies: Living Art exhibition was conducted. The exhibition is a 4,650 square foot special exhibition at the aquarium that is open from April 2002 through January 2005. It includes live displays of domestic and exotic jellies and a collection of artwork in a variety of media: paintings, sculpture, works on paper, and three large site-specific installations. Though the aquarium has displayed art previous to Jellies: Living Art, this exhibition represents the first time the aquarium has displayed both art and live species together. There were seven