"Living on the Edge" will be the name of an exhibit in three editions that will explore multiple edges of boundaries between land and sea, air and sea, ocean bottom and overlying water, and differing water masses. Scientists have become increasingly fascinated by the study of these edges or fronts because of the new understanding it provides regarding such basic principles as the productivity of coast waters, migrations and feeding patterns of marine life, upwelling and downwelling, chlorophyll dynamics, and water quality issues, for example. The educational objectives are to bring an understanding of coastal ocean science and its social implications to broad audiences in museums and aquaria. It will consist of eight mulit-faceted interactive activity centers totally approximately 1500 square feet. Two editions of the exhibit will become part of the permanent displays at the University of Rhode Island Graduate School of Oceanography and the Museum of Science in Boston. The third will be a traveling version; the management of which will be handled by the Association of Science and Technology Centers. It will go to 12-15 venues during its three-year tour schedule. It is estimated that a total of 2.5 million will experience this exhibit. A suite of materials will be developed for use by formal educators with all three of the exhibits. These materials will include teacher training materials, exhibit-related modules for on-site interpretive programs, and traveling kits for in-class presentations.
The University of California, Davis will use this planning grant "Planning an Informal Science Education Program at the University of California, Davis" to redefine its relationship with and responsibilities toward the public. Outreach for them is being viewed as a interaction between public needs and interests and the university. Leadership will be provided by a committee of university faculty and an advisory board consisting of external university museum and science education professsionals will meet with project directors twice during the year. Together they will examine the regional science education needs, the existing public education activities at UCD, and investigate the potential for establishing a comprehensive informal science program. Among other things this will include the coalescing of various scientific collections (geology, entomology, anthropology, the botanical and arboretum collections) and their respective independent educational programming into a regional science education network. Advisors will include members of the UCD faculty and administrators as well as individuals representing external university museum and science education experts.
The Field Museum will develop a 10,000 sq. ft. exhibit "Life Underground: Foundations of the Biosphere." This exhibit will introduce visitors to underground ecosystems and the importance of soil upon which we all depend. Visitors will be invited to explore the diversity of underground organisms and the vital processes in which they participate. It will consists of three main parts: 1) Underground Expedition, where things will be enlarged 100 times life-size; 2) Changes Over Time, which will highlight the dynamic nature of soil communities and forces of change, and 3) a World Tour, which will compare soil communities from a variety of ecosystems including forests, grasslands, deserts, tundra, among others. The exhibit utilizes ideas and research from all four of the museum's academic disciplines -- botany, zoology, geology and anthropology and will incorporate hundreds of specimens from the museum's botany, mycology, and zoology collections to illustrate the diversity of organisms in and around the soil. Complementary educational programming will be developed and the project is especially targeting rural and inner city residents. School and community programs will extend the exhibit into classrooms, vacant lots, and community centers. The materials developed for use in a formal education setting will be integrated with current objectives of the existing curricula. In addition, on-line access to the content of the exhibit and complementary educational materials will be provided. The scheduled opening date for the exhibit is May, 1998 and during the ten year projected life span of the exhibit and complementary programming, it is expected that more than eight million people will be introduced to "Life Underground."
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TEAM MEMBERS:
M. Frances Muraski-StotzGregory MuellerDebra Moskovits
The National Museum of Natural History is producing 3-D and 2-D versions of a large format film on natural history. With a working title of Wonders of Life, the film will explore the diversity of life on Earth and how this diversity came to be. It will examine the biological, geological, and cultural entities that interact in myriad ways to generate, shape, and sustain the enormous biological and cultural diversity of our planet. The film will be supported by outreach material designed to support further exploration of the topic of diversity in both informal and formal settings. An inexpensive family activity guide to be available at venues that show the film will feature engaging and challenging activities for families with children ages ten through 15. A teacher resource guide, distributed free to teachers attending the film with groups of students, will be developed for use in grades 5 through 8. A classroom activity poster will be developed to serve grades 2 through 5. A Wonders of Life home page will support in-depth study of the film's topics. Larry O'Reilly, Director of The Discovery Center Project at the NMNH, will be PI and Executive Producer for the film. The Senior Scientific Advisory Board will be chaired by Dr. Robert S. Hoffman, Senior Scientist and former Assistant Secretary for Science at the Smithsonian Institution. The board also includes Sir David Attenborough, Dr. Sylvia Earle, Dr. Margaret Geller, Ivan Hattingh, and Dr. Thomas Lovejoy. Dr. Kay Behrensmeyer, Curator of Paleobiology and former Associate Director for Science at the NMNH, will lead a core team of scientists who will be directly involved in production. The film will be produced by Christopher Parsons and David Douglas will be Director of Photography.
Anchorage Museum of History and Art will used this planning award to develop the script, identify artifacts, and do other preliminary planning activities for and exhibit "Lifting the Fog: Exploration of the North Pacific, 1728 - 1867." The exhibit will be a 5000 to 6000 sq. ft. presentation that will give visitors insights into the scientific discoveries made in the North Pacific during the Russian era of dominance of this area. These Russian lead voyages, which included individuals from a number of European countries, made major findings in biology, hydrography, marine science and technology, geography and cartography, and ethnography. With this planning grant, they will bring together a group of museum professionals representing a diversity of approaches including hands-on science museums, scientists, and historian of science, formal educators, native Alaskans, and an evaluator to refine the plans. Project staff will draft the concept design, draft the label text, develop the specifications for the exhibit design, and develop the catalogue, among other activities. At the end of the twelve month planing period they will have refined their exhibit theme, developed their floor plan and concept design, developed plans for the interactive and hands-on activities, developed the interpretative labels and laid plans for the complementary activities including the catalogue, a curriculum plan, and other adjunct activities such as workshops demonstrating how scientific investigation was carried out in the 19th century.
The Ft. Worth Museum of Science and History will develop "Texas Dinosaurs: How Do We Know? -- Regional Dissemination of Science Inquiry Exhibits and Educational Programs on Paleontology." This will be a major permanent and portable exhibition project that will be accompanied by an array of educational programs for formal and informal audiences throughout Texas. The permanent 12,000 sq. ft. exhibit, "Texas Dinosaurs: How Do We Know?", will recreate field and laboratory processes of paleontological research in an inquiry approach to public learning in geology, biology, ecology and mathematics. Portable versions of the exhibit will be distributed to the Dinosaur Valley State Park in Glen Rose, the Texas Parks and Wildlife Headquarters, the Panhandle-Plains Historical Museum in Canyon, the Science Spectrum in Lubbock, the McAllen International Museum, and the El Paso Insights Science Museum -- all in Texas. Regional dissemination of "How Do We Know?" exhibits and educational programs and materials will reach at least 1.5 million people annually, including isolated rural communities in the large geographic region of Texas.
The Anchorage Museum of History and Art will develop "Lifting the Fog: Russian Exploration in the North Pacific, 1728-1867." This exhibition will reveal the world of the naturalists, oceanographers, astronomers, cartographers, ethnographers and artists who first described the west coast of America and the northern Pacific Ocean to the world. Approximately 200,000 visitors to the museum will view the 5,300-sq. ft. exhibition. Public programs will complement the exhibition, including a family day, lecture series by marine biologists, living history programs, weekend workshops, and an international symposium. An illustrated catalog with interpretive essays and a school curriculum and teachers' guide will accompany the exhibition. The exhibition will travel to three additional venues in the United States.
The objective of this project is to extend the concept of crowdsourcing in citizen science to the interaction design of the organization as well as to data collection. Distributed technologies offer new opportunities for conducting scientific research on a larger scale than ever before by enabling distributed collaboration. Virtual organizations that use distributed technologies in scientific organizations have primarily focused on how dedicated, professional scientists collaborate and communicate. More recently a rapidly increasing number of citizen science virtual organizations are being formed. Citizen scientists participate in scientific endeavors and typically lack formal credentials, do not hold professional positions in scientific institutions, and bring diversity of knowledge and expertise to projects and challenges. They participate in scientific endeavors related to their personal scientific interests and create new challenges for the design of virtual organizations. In terms of intellectual merit, the project will make three specific contributions: a new interaction design for collecting biodiversity data within a nature park, a model for crowdsourcing the design of an social computing approach to citizen science, and an analysis of the impact of crowdsourcing the design on motivating participation in collecting biodiversity data. Interactive tabletop computers will be placed in two nature parks so that the design of the citizen science environment can be embedded in a park experience and engage the public in understanding more about their parks, in data collection, and develop a personal commitment to environmental sustainability issues. In terms of broader impacts, the project provides three types of impact: research training by including graduate students, broad public dissemination to enhance scientific understanding of biodiversity, and benefits to society through association with the Aspen Center for Environmental Studies (ACES) and Encyclopedia of Life (EOL).
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TEAM MEMBERS:
Mary Lou MaherTom YehJennifer Preece
The National Research Council's Roundtable on Public Interfaces of the Life Sciences held a 2-day workshop on January 15-16, 2015, in Washington, DC to explore the public interfaces between scientists and citizens in the context of genetically engineered (GE) organisms. The workshop presentations and discussions dealt with perspectives on scientific engagement in a world where science is interpreted through a variety of lenses, including cultural values and political dispositions, and with strategies based on evidence in social science to improve public conversation about controversial topics
The World Biotech Tour (WBT) is a multi-year initiative that will bring biotechnology to life at select science centers and museums worldwide. The program, supported by the Association of Science-Technology Centers (ASTC) and Biogen Foundation, is scheduled to run from 2015-2017, with the 2015 cohort in Belgium, Japan, and Portugal. The WBT will increase the impact and visibility of biotechnology among youth and the general public through hands-on and discussion-led learning opportunities. Applications are now open for the 2016 cohort! Learn more and submit an application at http://www.worldbiotechtour.org/become-a-stop
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TEAM MEMBERS:
Association of Science-Technology CentersCarlin Hsueh
As interest in Science, Technology, Engineering, and Mathematics (STEM) education grows (Olson & Riordan, 2012), the need for professionals to clearly communicate sophisticated concepts associated with these areas also increases (Fischoff & Scheufele, 2013). This evaluation focuses on a 3 credit university course “Training in Science Education Outreach” which utilizes a novel course structure. The course’s main aim is to teach graduate and undergraduate students how to speak to the public about science, focusing specifically on language science. The structure of the course is non-traditional
In Spring / Summer 2012, The New York Botanical Garden will present a Garden-wide, multi-element exhibit, entitled "Medicinal Plants: Ancient Culture to Modern Medicine," which will demonstrate how plants have shaped the trajectory of medicine from a historical, humanities-based, and cross-cultural perspective. The exhibition, sited throughout the Garden’s 250-acre historic landscape, including the LuEsther T. Mertz Library, the Enid A. Haupt Conservatory, the Everett Children's Adventure Garden, and the permanent collection, will examine the relationship between medicine, people, and culture. Public programs and interpretative materials will help visitors make the connection between plants and nature, and the impact, via medicine, that plants have in their lives.