In this article, Rick Wurzer, lead interpreter, presents the challenges of creating exhibits at the End of the Oregon Trail Interpretive Center, a small institution with limited staff. Wurzer shares eight valuable lessons he learned during the center's exhibit renovation project.
In this article, Steven Lubar, professor of American civilization and director of the John Nicholas Brown Center for Public Humanities and Cultural Heritage at Brown University, describes the final project--producing an exhibition--he gives the students in his Methods in Public Humanities course. Lubar explores the process, successes, and learning opportunities associated with student-curated exhibition, "Remember the Old Times: Cape Verdean Community in Fox Point."
This article provides commentary about the early closing of "Imaginary Coordinates," an exhibition at the Spertus Institute in Chicago, inspired by the antique maps of the Holy Land. The exhibition reportedly closed early because some groups found it "anti-Israel." Featured voices include exhibition curator Rhoda Rosen, Marc Fischer, of the Chicago-based design firm Temporary Services, and artist Michael Rakowitz. The materials gathered for this article present a microcosm of the museum community's struggle with "the unexhibitable" among other challenging museum issues.
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National Association of Museum Exhibition
In this article, Douglas Simpson, Associate at Cambridge Seven Associates, Inc., describes the unique design process the Newton History Museum employed to create a new exhibition on immigration. The Museum recruited seven local high school students from immigrant families to curate an exhibition about themselves. The exhibition became known as "Hyphenated-Origins: Going Beyond the Labels." Simpson explores this unique exhibit design process and its successes.
In this article, Janice Klein, Director of the Mitchell Museum of the American Indian, describes how she and her staff reevaluated the museum collection and audience needs during a reinstallation process in 1999. The methods they used helped the team complete the renovation and opening on time as well as made it possible to pursue an active exhibits program for minimum cost.
In this article, Julie Packard, executive director of the Monterey Bay Aquarium, shares her experience launching the Center for the Future of the Oceans policy and advocacy center, in hopes that the story may serve as a useful roadmap for other institutions considering expanding their role in conservation efforts. Packard describes how the center came to fruition, the goals of the institution, public response, recommendations for future work, and implications for the broader museum community.
Goodman Research Group, Inc. (GRG) conducted summative evaluation of the educational resources kit for Forgotten Genius, a program from the PBS television series Lives in Science. Forgotten Genius explored the life of the scientist Percy Julian, an African American chemist who persevered in the face of racism to become one of the great scientists and inventors of the 20th century. GRG's evaluation focused on how public librarians used and assessed the educational resources kit, as well as their suggestions for revising the kit and conducting future science-related library outreach. The
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Marianne McPhersonJennie MurackIrene F GoodmanWGBH
Science Under Sail: Russia's Great Voyages to America 1728-1867 opened in May 2000 at the Anchorage Museum of History and Art (AMHA) for a five-month run. Developed by Curator Barbara Sweetland Smith and designed by Presentation Design Group, Science Under Sail was a 5,340-square-foot exhibition consisting of 44 elements, including text and graphic panels, cases with artifacts and specimens, audio stations, ship models, dioramas, and interactive elements. Overhead banners separated the exhibition into five sections: Why did they sail? Where did they go? How did they get there? What did they
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Beverly SerrellAnchorage Museum of History and Art
In this article, contracts attorney Bruce A. Falk offers a practical guide to circumventing the legalities of soliciting content from third-parties (i.e. audience participation). Falk provides a brief history of copyright and contract law and useful examples and models of contracts, in response to the growing trend of museums integrating user-generated content into their spaces and programs.
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Bruce A. FalkNational Association for Museum Exhibition
This article features three critiques of the exhibition "MN150" at the Minnesota History Center, part of the celebration of the Sesquicentennial of the State of Minnesota. Roger Barrett, Exhibit Designer at the Science Museum of Minnesota, Liza Pryor, Project Leader in the Exhibits Department at the Science Museum of Minnesota, and Jeanne Vergeront, Principal of Vergeront Museum Planning, each provide an assessment of the exhibition.
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Roger BarrettLiza PryerJeanne W. Vergeront
In this article, Lee H. Skolnick, Founding Principal of Lee H. Skolnick Architecture + Design Partnership, critiques the Museum of Sex and explores sex as an appropriate museum exhibition topic. Skolnick concludes that sex can have a place in exhibits and investigates how to design such exhibits.
This article offers new research to the discussion about the role of museums in the context of changing society. The authors hoped to add to the community discourse by sharing how they promoted and recognized visitor action in their museums. The article examines the Social Diffusion of Ideas by John Fraser, the COURAGE project by Tom Hanchett, and Time's Running Out - Act Now by Jon Deuel and Jenny Sayre Ramberg.