Evaluates students' knowledge of three fields of science (earth, physical, and life), three elements of knowing and doing science (conceptual understanding, scientific investigation, and practical reasoning), and two overarching domains in science (the nature of science and themes-systems, models, and patterns-present in science).
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TEAM MEMBERS:
Nancy L. AllenJames E. CarlsonChristine A. Zelenak
Measures children's global attitudes and knowledge about environmental issues, such as animals, energy, pollution, recycling, water, and general issues.
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TEAM MEMBERS:
Frank C. LeemingWilliam O. DwyerBruce A. Bracken
The tool was created by 4H Nebraska to measure students’ (7-10th graders ) learning and attitudes towards science, technology, engineering, and mathematics. The tool also assesses students’ attitude about GPS (Global Positioning Systems) and GIS (Geographical Imaging Systems).
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, collectively offer the public enriched opportunities to
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, collectively offer the public enriched opportunities to
Strange Days on Planet Earth combines a 4-part television series and outreach program produced by Sea Studios Foundation (SSF) for National Geographic Television and Film and Vulcan Productions, with funding from the National Science Foundation (NSF) and The David and Lucile Packard Foundation. The project comprises three primary components: a broadcast series, website, and a national consortium of informal learning institutions. The project team expects that through consistent messaging and content, these components, when integrated, will collectively offer the public enriched opportunities
This National Science Foundation Informal Science Education project was a "Citizen Science" weather and climate observing program focused on the Central Great Plains region of the U.S. Volunteers of all ages, primarily self selected, equipped with simple and low cost instruments for measuring rain, hail and snow, were recruited, trained and equipped to help measure and report precipitation. This region of the country is well known for its extreme and highly variable climate with strong seasonal cycles, dramatic day to day weather changes, drought vulnerability, as well as the propensity for
Earthquakes, hurricanes, wildfires, floods, lightning, tornadoes, and other natural phenomena occur regularly as an on-going part of the natural environment of our planet. There is a clear need to increase public awareness and knowledge of these natural forces and their impact on human existence. Educating the public about effective, and often simple, strategies for protection, mitigation, and recovery based on the latest scientific knowledge, and encouraging them to personally take action, is critical to reducing human suffering, loss of life, and destruction of property from these deadly
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TEAM MEMBERS:
Bruce W. HallMuseum of Science and Industry
This evaluation examines visitor engagement at the “Science On a Sphere” (SOS) exhibit at Pacific Science Center, Seattle, WA. Evaluators varied characteristics of the data presentation—such as topic presented, presence of a question prompt, and image rotation—and measured the resulting visitor engagement for each of the different treatments. Furthermore, the evaluation examined visitors’ interest in the SOS exhibit, as well as the extent to which visitors connect the exhibit to surrounding exhibits. This study examines different treatments to the SOS exhibit to determine the presentation
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TEAM MEMBERS:
University of Washington | Pacific Science CenterDylan HighDanielle AcheampongEllie KleinwortTravis Windleharth
The San Diego Natural History Museum (theNAT) contracted RK&A to conduct summative evaluation of Coast to Cactus in Southern California, a new exhibition that focuses on the biodiversity of southern California. The goals of the evaluation were to: (1) identify how visitors are using the exhibition space; (2) understand how visitors use and what meaning they create from seven new types of spaces/components; (3) explore what meaning visitors make from their exhibition experience overall, and particularly to what extent visitors’ meaning making aligns with the intended outcomes; and (4) explore
STAR_Net brings inquiry-based STEM1 learning experiences to public libraries through two traveling exhibits, associated programming for library patrons, and a virtual community of practice for library staff and others who are interested in bringing STEM programming to libraries. In 2010, the National Science Foundation (NSF) awarded a three-year grant to the Space Science Institute’s (SSI) National Center for Interactive Learning (NCIL) and its partners—the American Library Association (ALA), the Lunar and Planetary Institute (LPI), and the National Girls Collaborative Project (NGCP)—to
This report details the summative evaluation of the Flight of the Butterflies IMAX film. Four focus with a total of 39 participants took part. They watched the film in either 2D or 3D. The St. Louis Science Center, where the film was presented in large 2D format, hosted two focus groups with adults (n=19). The Maryland Science Center (MSC) in Baltimore, which showed the film in 3D format, hosted one focus group with adults (n=8) and another with middle school age students (n=12). All participants were recruited through the science center membership lists. The focus group began with initial