The Bay Beach Wildlife Sanctuary requests $58,414 from the Informal Science Education Program of the National Science Foundation to infuse an environmental education message with innovative approaches to visitor self-instruction, through the two elements which comprise our Communities and Connections in the World of Nature project. This $364,097 project is an ambitious attempt to introduce and involve BBWS visitors with the fascinating interactions of life which hold all living communities together. Fine and coarse grain examination of 11 ecological concepts (e.g., habitat, human impacts, energy flow, etc.) central to these interactions is achieved through a creative blend of innovative public programs, museum-style interactive exhibits, engaging graphics and habitat-oriented live animal displays. Specifically, NSF funding will allow BBWS to: 1) Develop and conduct participatory educational programs (Jr. Naturalist/ages 5-8, Jr. Ecologist/ages 9-12) that introduce ecological themes and concepts to families and school groups. 2) Develop and produce a 180 sq. ft. computer-based interact exhibit (Habitat Puzzle) that encourages visitors to explore ecological concepts of habitat composition in depth.
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TEAM MEMBERS:
Tyrus William BaumannKimberly KasterMichael Reed
SOUNDPRINT is requesting $901,273 over 16 months to produce a series of radio documentaries entitled Making Connections: SOUNDPRINT Explores Science and Technology, related educational outreach materials, multimedia non-broadcast applications, and an aggressive distribution plan. Sixteen half-hour original science documentaries, distributed through national Public radio will address three broad areas of science and technology. These include: the limitations and possibilities of scientific achievement; the requirements of sustainability (surviving); and the explanation science offers for human behavior. An additional 21 programs will be repackaged as special broadcasts to be distributed to over 200 public radio stations. Target audiences include middle school and secondary school students, and adults.
The American Museum of Natural History is developing a 10,000 sq. ft. Hall of Life's Diversity that will interpret biodiversity, what it is, why it matters to humans, why it is under threat, and what can be done to mitigate the current pattern of extinctions. The hall will have the following sections: a) the Crisis Center that will serve as the orientation place for the exhibit and where the core principles of the exhibit will be interpreted, b) four interactive habitat models that depict major ecosystems, c) the Spectrum of Life, in which specimens, models, photographs, and interactive multimedia will be juxtaposed and will serve as a field guide to the array of animal and plant life on the planet, d) a Resource Center that is devoted to educational activities, and e) a theater/classroom space. The intended audience for the exhibit is people of all ages and learning styles. The exhibit will illuminate the crucial role that science plays in our everyday lives and will promote science literacy among adults and children. In addition to the main exhibit, there will be a broad menu of complementary programming including traveling versions of the exhibit, a teacher resource guide, and a teacher-training institute. The exhibit and complementary activities are to be coordinated with New York State's State Systemic Initiative program.
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TEAM MEMBERS:
Niles EldredgeSamuel TaylorJoel Cracraft
The California Academy of Science will develop "Chinook: A National Traveling Exhibit on Salmon." The main components will be a 3500 sq. ft. and a 5000 sq. ft. version of an exhibit about salmon ecology and biology, genetic diversity, and the science of species preservation. Futher, components of the exhibit will be reproduced for a 500 sq. ft. exhibit for the new public visitors center at the Bodega Marine Laboratory. The exhibit will focus on the Sacramento River winter-run Chinook salmon. Several themes from the California Science Frameworks and Benchmarks for Science Literacy serve as the foundation for the interpretation. Benchmarks theme of evolution and the Framework theme of patterns of change are woven throughout the exhibit and are illustrated by salmon life cycles, genetic diversity, and physical adaptations. Benchmarks theme of systems and interactions as well as the Frameworks theme of scale and structure are also incorporated in the interpretive material. The exhibit will be developed by the ichthyologists, educators, and exhibit designers of the California Academy of Science and genetic researcher from the Bodega Marine Laboratory of the University of California at Davis. Thirteen individuals have been selected as project advisors. They bring a diversity of perspectives including expert knowledge of the science concerns (salmon and habitats issues, anthropology) to the educational interests (both formal and informal). The various evaluation studies will be carried by CAS staff member Lisa Mackinney. The complementary materials linking the exhibit with formal education that will be developed are a Teachers Resource Kit and a Chinook Curriculum Guide. The Teachers Resource Kit, available to each host site, will include a slide show, a video tracing the story of salmon fisheries, a special issue of the CAS educator newsletter, sample of fish scales and otoliths, a compilation of resources from government agencies and env ironmental organizations, and a bibliography produced by the CAS Biodiversity Resource Center. The Curriculum Guide will include sixteen hands-on activities using readily available materials to reinforce the educational objectives. A Chinook Family Activity Guide targeted at families with children between the ages of five and ten, will provide parents with specific steps to facilitate discussion what at the exhibit and to suggest follow-up activities to do at home.
The Exploratorium will develop a hands-on, interactive, traveling exhibit "Garden of Complexity: Self-Organization in Nature." "Using the metaphor of a garden (a universally appreciated symbol of beauty and contemplation)" and arguing "that the essence of science is to extract organized observations from the complexity of nature," this exhibit will allow visitors to observe some of the self-organizing systems in a quiet, contemplative environment. The exhibit will be about pattern and how the natural world emerges into states that are perceived as pattered or organized. Four sub-sets of this theme will be explored; organization into patterns; surface effects - rubbing and flow; rotation, circulation, vortices, and the granular state - a different state of matter. Both existing and new artworks/activities will be used in this exhibit. The new additions will be created by individuals in the Exploratorium's Artists-in-Residence program. Their creations are both aesthetically and educationally interesting. In addition, the exhibit developers will experiment with new techniques in exhibit interpretation and they will develop activities that provide linkages with formal education. The exhibit will be circulated by the Association of Science and Technology Centers to nine sites over a three year period. It is estimated that it will reach 2.5 million people.
The San Francisco Zoological Society will use this planning grant to involve representatives of their audience in the development of the learning experiences that will be encorporated into their new exhibit program "ZooWEB: Worldwide Education for Biodiversity." They will bring together an Advisory Panel made up of representatives of a broad spectrum of potential and current zoo visitors (traditionally underserved groups, formal education specialists, people with special needs, family groups, scientists) and science educators to meet with the zoo's Planning Team who are developing the master interpretive plan called ZOO Web. ZooWEB will adapt ecological themes and topics from the section of Systems and Interactions in the California State Science Framework for Public Schools. The planning activity is a modification of a business model designed to understand and meet customer needs by constant improvement of product and service quality pioneered by W. Edwards Deming. This is a considerable departure from the traditional manner in which zoo interpretation is developed. Thus, the Zoo will implement a new approach to exhibit development, one that begins with focusing on visitors' interests in science, their needs, learning styles, perceptions of zoos, etc. Data will be gathered by a number of techniques including focus groups, interviews, and surveys. Results of the planning activity will be broadly disseminated.
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TEAM MEMBERS:
Diane Demee-Benoit
resourceprojectProfessional Development, Conferences, and Networks
The Museum of Life and Science will use this planning grant to bring together zoo, botanical garden, and science center professionals to a) assess the feasibility of an "interactive zoo," b) identify animals species that exhibit behaviors in a zoo environment that provide natural opportunities for related interactive exhibits, and c) generate a White Paper reviewing relevant exhibits in zoos and science centers and proposing design criteria for the interactive exhibits. The planning activities include: the development of a "White Paper" that will include a review of key research findings in developmental psychology and visitor behavior as they apply to playgrounds, zoos, and interactive exhibit environments, an overview of relevant exhibit techniques and technologies, and case studies of existing exhibits; a 2-day meeting to discuss the issues; and travel to exemplary museums, zoos, aquaria, and botanical gardens. These results will be used in the development of interactive exhibits in an outdoor setting included in the museum's Master Plan 2000. They have proposed the analogy of a field research station in their approach to learning in an outdoor setting. They envision three thematic "field stations": "Down to Earth," "Watery Worlds," and "Catch the Wind." The specific exhibit plans will be finalized after the completion of the planning grant. Although the Museum of Life and Science will be the primary beneficiary of this planning activity, the background information gathered, the issues discussed, and the critical appraisals will be relevant to other museums with and interested in developing exhibits in an out-of-door setting. The results will be broadly disseminated by means of publications and presentations at professional meetings.
The Great Lakes Museum of Science, Environment, and Technology will develop a 10,000 sq. ft. exhibit focusing on The Great Lakes Environment. Addressing the core mission of the museum, the exhibit will promote understanding about "the interdependence of scientific, environmental, and technological activities in the Great Lakes Region." The exhibit will focus on the Great Lakes as an ecosystem. By means of interactive activities, visitors will learn how this ecosystem was formed, the web of life it supports, the stresses it receives, and the efforts to restore its health. The Great Lakes Museum is a new 165,000 sq. ft. facility located in downtown Cleveland on the Lake Erie Shore and is scheduled to open in 1996. The exhibit area will cover 50,000 sq. ft. and will be fully accessible. An entire floor will be dedicated to the Great Lakes Environment. Complementary educational programs will consist of the following: take home activity guides to encourage the discovery and exploration of ecosystems in backyards or neighborhoods, pre and post visit activities for school groups, and teacher enhancement activities. Museum staff are participating in the planning process for the Urban Systemic Initiative of Cleveland and activiites and content of exhibits will be developed to complement the curriculum. The museum will develop a menu of activities and databases for electronic networking with homes and schools. They will have video conferencing capabilities to connect the museum with classrooms.
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TEAM MEMBERS:
Richard CoyneTimothy LargePauline Fong
Georgia Public Television is producing and evaluating one pilot program and accompanying ancillary material for a series of 30-minute television quiz shows for 8 to 10 year olds. The series would be designed to entertain a home audience while educating them about issues and facts relating to nature and the environment. The primary goals of the project are to increase knowledge about the world around us, to develop a concern for the conservation of wildlife and wild places, and to encourage critical and creative thinking skills in relation to the environment. The television programs and the formal and informal ancillary materials and activities will engage viewers in use and development of science process skills: observation, classification, measurement, prediction, inference, identification and manipulation of variables, interpretation of data, formulation of models, experimentation, construction of hypotheses, and drawing conclusions. The project is being developed in collaboration with the Zoo Atlanta, whose staff will have responsibility for content development, and with educational advisors who will help assure that age- and developmentally-appropriate skills are exercised and the topics have the maximum relevance to elementary and middle school science. The senior producers would be Carol Fisk, a producer with Georgia Public Television and previously a news producer and correspondent in Great Britain and with the BBC in Washington, and Nancy Lebens, a Georgia Public Television staff producer. Cindy Horton, a zoo education program coordinator with Zoo Atlanta, will be the host.
The Wildlife Conservation Society will use this one year award to move forward their planning for the "Rain Forest Trail and the Living Treasures of the Congo Gallery." This is the first phase of an ambitious $29M, 6 acre outdoor exhibit area focusing on the Congo Rain Forest and an indoor Environmental Education Complex. The Wildlife Conservation Society (WCS) conducts extensive field research in a number of central African sites and has an important living collection of tropical African wildlife in the New York facility. The Congo Rain Forest/Environmental Education Center will include three major interpretive areas and an educational resource area. NSF is being asked to support two components of the Congo Rain Forest complex which are the Rain Forest Trail and Living Treasures of the Congo Gallery. The Rain Forest Trail, with both indoor and outdoor elements, will be a total immersion exhibit where visitors will be surrounded by a replication of an African rain forest and will have the opportunity to encounter a variety of its living inhabitants, and experience how its ecosystem functions. They will have the experience of making scientific observations thus gaining insight into how scientists work. The goal of this design technique "is to move beyond the limited scope of traditional zoo exhibits (which simply portray the 'animal as object')", toward a presentation of animal and plant communities as they interact within an ecosystem. The Living Treasures Gallery will be a 4000 sq. ft. space which is dedicated to the introduction of the diversity of rain forest inhabitants, their environmental adaptations, and complex interrelationships. The gallery will be divided into four areas: Adaptations for Survival, The Forest of the Megavertebrates, The Interconnected Forest, and Seeing the Unseen. Numerous interactive devices will be developed to engage the visitor in hands-on activities and materials will be developed that link the themes of the exhibit with the agenda of formal education for both teacher and students.
The Science Museum of Minnesota (SMM) will develop an interdisciplinary national traveling exhibition about raptors (birds of prey). Created in collaboration with The Raptor Center at the University of Minnesota (TRC) and the Museum Magnet School of the St. Paul School District, this exhibit and its related programs will explore themes of biodiversity, ecology, and human relationships with the natural world. It will help visitors understand raptors as diverse, charismatic, biologically-complex animals whose continued survival is linked to fundamental questions of public policy, economics, and environmental ethics. combining the perspectives of the sciences with those of the humanities, the exhibit will present science in a real-world context of human values and actions. Opening at SMM in the summer of 1944, the 5,000-square-foot exhibit will travel for five years or more to other large museums, nature centers, and zoos throughout the U.S. Using specimens, models, artifacts, dioramas, audiovisual programs, and interactive components and supported by theater, demonstrations, and a variety of other on-site programs, it will provide a compelling mix of informal learning experiences for families, school groups, and other general audiences. Beyond the museum walls, the themes of the project will reach schools and other important outreach audiences through videotapes, teacher training programs, educational materials, and other programs. SMM will also produce a scaled-down version of the exhibit that will tour to smaller museums, nature centers, and zoos.
The Pratt Museum, a natural history museum in Southcentral Alaska, proposes to bring before the public an exhibition on oil pollution. Using the historic disaster of the March 1989 grounding of the Exxon Valdez, the museum presents a dramatic, grassroots story of the desperate struggle to protect the environment and preserve traditional lifestyles. The exhibit's purpose is to increase public awareness of national and global issues pertaining to the development, transportation, and use of petroleum. The 1,500 square foot presentation shows what an oil spill is like through photographs, maps, graphics, and three- dimensional participatory elements. The exhibit is scheduled to open at the Smithsonian's Museum of Natural History in early 1991, beginning a three-year tour of 12 museums that will reach between 1.5 and 2 million viewers. The NSF contribution will support the circulation of the exhibit and the development of interactive components to enhance both the permanent and traveling presentations. Computerized graphic displays and an educational chest of learning tools will enhance the basic exhibit through multi- sensory activities designed for hands-on gallery use, increasing accessibility for children and disabled visitors. This cooperative project invloves private foundations, individuals, the Environmental Protection Agency, U.S. Fish and Wildlife Service, and Alaska Department of Fish and Game.