In this Communicating Research to Public Audiences (CRPA) project, the University of Missouri is collaborating with the St. Louis Science Center on the development and implementation of exhibits and programs related to the principal investigator's NSF-funded research on tissue engineering and organ printing, Understanding Molecular Self-Assembly. The research is exploring basic research and technologies that could provide alternatives to organ donor transplants, especially given the mismatch between the demand and supply of organs. The exhibits will become an offering in the science center?s new life sciences gallery whose goal is to help visitors better understand the applications of life science research that affect people's everyday lives.
The Exploratorium seeks support for a program designed to help approximately twelve new or expanding U.S. museums acquire quality, educationally provern interactive exhibits. Over a thirty-six month period, two groups of museums will work with the Exploratorium to select and produce an individualized set of exhibits. The museums will dedicate staff to participate in the exhibit production process, as well as in the development of exhibit-based educational programs. The production cost of the exhibits will be shared on a fifty/fifty basis, with NSF's portion being matched by funds raised independently by the participating museums. Participant museums will be able to acquire stimulating and proven exhibits at half cost, and make use of the Exploratorium's exhibit construction shops, staff and other resources in developing educational programs and materials that complement their chosen exhibit set. It is expected that each participants will receive between fourteen and twenty-four exhibits. The program will repeat, to include another six institutions, in the second eighteen months. Participants will select exhibits in an initial one week visit to the Exploratorium and then return for a minimum four-week period to assist in producing their exhibits. Participation staff, through their involvement with construction, will become conversant with their exhibits' technical and operational aspects. The program will give participants true hands-on training. In addition to individualized assistance, each participant museum will receive publications about exhibit construction and use, as well as a booklet that includes technical, maintenance, and educational information about their own exhibits.
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TEAM MEMBERS:
Joe AnselRobert SemperThomas HumphreyRon HipschmanMartha Brown
The Montshire Museum of Science, on behalf of the TEAMS Collaborative, will develop "TEAMS Traveling Exhibit Collaborative." Four charter members of the TEAMS collaborative, a partnership that includes the Monthshire Museum of Science, Norwich, VT; the Catawba Science Center, Hickory, NC; the ScienCenter, Ithaca, NY; and the Discovery Center Museum, Rockford, IL, request funding to expand the collaborative by incorporating three new museum partners. They will develop, evaluate, and produce two copies each of four 1500-square foot traveling exhibitions. Each TEAMS exhibition will be accompanied by maintenance manuals, teacher's guides, and program materials for community science events. Three charter museums will mentor the three new museum members, which include the Health Adventure in Asheville, NC; the Rochester Museum and Science Center in Rochester, NY; and the Family Museum of Arts and Science in Bettendorf, IA. The four new exhibit topics being proposed by the collaborative are Sound Slices, The Body as a Machine, The Physics of Motion, and The Science of Sports.
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TEAM MEMBERS:
David GoudyCharles TrautmannSarah WolfMark SinclairCatherine McCarthy
Mathematics can be exciting. It can be fun. The modern world surrounds us with examples of its beauty. Too often, however, these examples go unnoticed or unexplored. This is one reason so few young Americans think of mathematics as a potential career path: they do not realize how much mathematics is a part of their lives, or how much they use it -- often without knowing it| The Maryland Science Center and the mathematics faculty of the George Washington University have teamed up to create The Language of Patterns, a mathematics exhibit that examines mathematics in modern life. Through engaging interactive exhibit stations, The Language of Patterns invites visitors of all ages to discover the intricacy and wonder of modern mathematics. Eschewing highly technical terminology, the exhibit focuses instead on fun and exploration. Mounted by the Maryland Science Center in its Baltimore facility and in a traveling version that will be available to science and technology museums across the county, this exhibit represents a unique collaboration between academic and museum exhibition design experts. More important, The Language of Patterns is an opportunity for visitors to rethink their relationship with modern mathematics, one of man's most significant -- and misunderstood -- achievements.
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TEAM MEMBERS:
D.D. HilkeRaylene DecaturRodica SimionPeter Yancone
The Science Museum of Minnesota will develop "After the Dinosaurs", an exhibit that will feature a detailed reconstruction of the ecology of a Paleocene subtropical environment that existed in the North Plains of North America (58 million years ago). Information presented in the exhibit will come from a 25 year research project carried out by SMM curator Bruce R. Erickson and his colleagues at Wannagan Creek Quarry in northwestern North Dakota. This research has yielded one of the most complete assemblages of Paleocene megafossils in North America. Both the increased knowledge gained from this research and process of the research will be highlighted in this exhibit. Visitors will learn that the world's landscape has changed considerably over time, the analysis of fossils helps scientists reconstruct the past, knowledge of former ecosystems help us to understand current ecosystems, and everyone can be a scientific investigator when we attempt to understand our environment in a systematic way. Two versions of the exhibit will be prepared: a 4000 sq. ft. permanent version that will be installed in the new SMM river front building and will open in late 2000. There will also be a 2500 sq. ft. traveling version that will begin its national tour in 2002. Complementary programming will include an on-line interactive teacher guide and student project curriculum, a teachers' institute, and a variety of youth programming including specially developed interpreter training materials. The exhibit will be accessible to people with disabilities.
The Science Museum of Minnesota would like to create a network of partnerships between the museum and small community-based science organizations (CBSOs). CBSOs will receive professional development workshops to increase their capacity to produce high quality exhibits and publications and offer effective science programming. A team from each science organization will participate in a 12-hour skills development workshop to cover such topics as exhibit development, audience research, science communication and program development. A workshop "tool kit" will capture the essence of the training workshops and be made available to other museums. Each team will develop a small traveling exhibit and supporting materials. Annual Science Summit programs will showcase the CBSOs to the general public, museum visitors and students, while a CBSO Roundtable will invite the participants to explore collaborations and programming strategies. An online database will be created and a complimentary printed resource guide of all local CBSOs will be available to the public. The model will be tested at two small science centers, the Kirby Science Discovery Center in Sioux Falls, SD, and at the Headwaters Science Center in Bemidji, MN. It is anticipated that 72 organizations and 450 CBSO staff members will be served by this project, in addition to over 5,000 members of the general public.
The North Carolina Museum of Life and Science will develop two areas in a new 70 acre outdoor exhibit "BioQuest Woods: Linking Animals and Plans with Interactive Exhibits". This concept is to pair live animals and plants in their natural setting with science center-style interactive exhibits to communicate key ideas in biology and physics. Support will go to sixteen interactive stations in two four-acre theme areas "Catch the Wind" and "Down to Earth". "Catch the Wind" will assist visitors in the exploration air movement and learning about how plants and animals use air in specialized ways. For example, visitors will experiment with air thermals while observing the behavior of birds of prey and will learn how prairie dogs exploit the venturi effect to ventilate their burrows. In the "Down to Earth" thematic area, visitors, simulate the activities of field biologists, will track bears equipped with radio collars, examine living invertebrates, among other activities. Scientific instruments, including microscopes, in kiosks will aid on-the-scene study of live animals and plans. "BioQuest Woods" will help visitors, teachers and students gain the realistic experience of scientific inquiry in a natural setting. Education programming will highlight curriculum linkages and fulfills the goals of North Carolina's new science curriculum. It directly addresses the State's competency-based goals requiring understanding of natural systems and the interrelations of the basic sciences. Pre and post-visit materials will be developed along with teacher guides and enhancement activities. This project is being developed with the cooperation of the Austin Nature Center, the National Zoo, and the Indianapolis Zoo.
The Wildlife Conservation Society will develop "Congo Gorilla Forest." This will be a 6.5 acre outdoor exhibit that will provide visitors with a realistic trip through a living Congo Ecosystem, ending in an arms-length observation of a colony of 30 Lowland Gorillas living in a natural setting. The science presented in this exhibit is based on much of the seminal research that has been carried out on the Congo Forest environment by scientists at the Zoo. During their trip visitors will be able to explore and develop their own insights into this dynamic ecosystem and at the end will be drawn into difficult conservation issues. The exhibit will include the Rain Forest Trail, Living Treasures of the Congo Gallery, Conservation Showcase and Theater, Great Apes Gallery, and the Conservation Choices Pavilion. In addition there will be a menu of complementary formal education materials to include parent workshops, teacher training activities, and instructional materials. Linkages have been made with the New York Urban Systemic Initiative and the formal education programs will complement the goals of this systemic initiative. Given the Zoo's location in the Bronx, given the Zoo's reputation as a leader in wildlife conservation, and given the Zoo's renewed commitment to quality visitor experience and learning activities, this exhibit will break new ground in the exhibition of animals and informal learning activities of visitors. It will have an impact on zoos throughout the world. They anticipate 750,000 visitors annually for the Congo Gorilla Forest.
The Desert Botanical Garden will utilize its extensive collection to create a science learning center focusing on deserts and presenting fundamental science concepts applicable to all environments. The comprehensive desert exhibit created by this proposal will feature six thematic trails through 25 acres of the Garden, with the trails' themes ranging from basic characteristics of deserts to adaptions of plants, animals, and people to the desert. Emphasizing ecology and conversation, the trails will include conceptual signs, investigation stations for hands-on, interactive learning, and innovative written exploration guides. The proposal also includes educational programming which will extend the exhibit and encourage use of the Garden as an outdoor laboratory. An exhibit-based curriculum will be developed for use across the state, and an institute will be created to prepare teachers to use the exhibit and curriculum. A newspaper series focusing on key exhibit concepts will be disseminated across the state to reach out-of-school adults. The products of the proposal and the model created will be shred through various networks with a national audience. The local and worldwide population explosion in arid lands mandates an increased understanding of deserts. With this proposal, the Garden will be a catalyst for greater awareness and change.
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TEAM MEMBERS:
Kathleen SocolofskyRobert BreunigJoseph McAuliffeRuth Greenhouse
The Brooklyn Children's Museum and the Brooklyn Botanic Garden aim to cooperatively and cost-effectively develop, evaluate, and produce three permanent exhibits (2600 sf at BCM, 1200 sf at BBG, and a 3600 sf outdoor Discovery Garden at BBG) and two copies of an 800 sf traveling exhibit in a project called Breaking Ground: Plants and People. When complete in 1996, these exhibits will teach 1.5 million annual public visitors about basics in botany, ethnobotany, and urban to ecology, promote an understanding of plants' importance to human life, and foster positive environmental ethics among children 6-12 years old. This project is important because collaboration with professional botanists will teach a leading children's museum how to effectively present in-depth science content, and allow a major public garden to experiment with interactive exhibits in a natural setting. Joint promotions using NSF-funded program materials will encourage children in culturally and economically diverse areas around New York City to return again and again to two important community resources for informal science education. This strategy will reinforce learning and promote lifelong appreciation for experiential exhibits in botanical gardens and for a meaningful depth of science in children's museums.
Science Museums of Charlotte, Inc. will develop a 5500 square foot traveling exhibit on SCIENCE of FASHION for the Science Museum Exhibit Collaborative (SMEC). Opening in February 1994, SCIENCE of FASHION will tour eight major U.S> cities over thirty-two months, introducing 2.5 million people to principles of chemistry, physics, biology, mathematics, and technology that drive the textile industry. SCIENCE of FASHION integrates diverse disciplines and will help public explore science in a wholistic manner. Because the subject matter is somewhat unusual fare, SCIENCE of FASHION will help diversify audiences, drawing in population segments, particularly women, who may not normally visit science museums. SCIENCE of FASHION is an eloquent vehicle for science-rich exhibitry which teaches the mathematics of pattern geometry, production statistics, and retail costs, polymer chemistry for engineering new fabrics, the genetics of new natural colors and strong aware fibers, and the sophisticated research, robotics, and computerized technologies that keep America's textile industry at the top international commerce. Rigorous evaluation will ensure a satisfying product that is educationally-effective, durable, and appealing to a broad public audience. SCIENCE of FASHION will be a worthy addition to the rich menu of science fare in SMEC exhibitry.
This proposal requests support for an exhibition on Native cultures of Alaska and Siberia for travel to Native and non- Native communities in rural Alaska. The exhibition consists of 200 small artifacts from Siberian and Alaskan archeological and ethnographic museum collections, archival photographs, Native craft and traditional arts, 20th century graphic arts, and videos. Curriculum packets and educational materials and videos will be prepared for use in the exhibition venues. These instructional materials, including an exhibit catalogue, will be designed to serve as "stand-alone" components as well. The Smithsonian Arctic Studies Center has selected "Crossroads of Continents *RFD Alaska" as a prototype project that will lead toward establishing standards for museum-based educational outreach programs for use in native communities in rural regions where professionally staffed museums usually do not exist. This goal is especially challenging in Alaska, where distances are great, population centers are small, and there are unique problems of transportation, communication, security, and language to be overcome. The project is an ideal one in that much of the basic research for the exhibition has already been accomplished. What is needed now is to develop a Native education component and local initiatives to accompany the core exhibit, and to produce the exhibition and the exhibition catalogue. Once developed, the experience of this project will serve to guide future programs not only in Alaska, but also throughout the Circumpolar North.