In this article, four panelists examine changes in exhibit design, identify the trends and currents that are feeding these changes, encourage more nuanced understanding of these implications, and evaluate the impact on the field. Panelists include Phyllis Rabineau, Deputy Director for Interpretation and Education at the Chicago Historical Society, Maeryta Medrano, Principal Director and President at Gyroscope, Inc., Paul Martin, Director of Exhibits at The Science Museum of Minnesota, and Lou Casagrande, President and CEO at the Boston Children's Museum.
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TEAM MEMBERS:
Lou CasagrandePaul MartinMaeryta MedranoPhyllis Rabineau
In this article, Jonathan Katz, CEO of Cinnabar, Inc., describes the development of the California Academy of Science's new Kimball Museum of Natural History and the challenge of integrating the Academy's commitment to the principles of environmental sustainability into the exhibit design itself. This was particularly challenging when it came to designing "green" specimen displays. This article is adapted from a Case Study originally posted on www.exhibitfiles.org.
In this article, Alissa Rupp, architect and exhibit designer at The Portico Group, reveals the importance of integrating emotional connections into exhibit designs for children. Rupp explains how exhibits can elicit strong emotional connections as well as the value of these emotional experiences for children and families.
In this article, Nina Simon, an experience design consultant at Museum 2.0, explores the correlation between museum and exhibit design and visitor participation. Simon suggests that increased parameters and more thoughtfully designed exhibits will yield more meaningful visitor participation.
In this article, Joanne Jones-Rizzi, Program Director, People & Cultures, at the Science Museum of Minnesota, explores the role of museums in presenting and translating cultural experiences for visitors. Her perspective is based on twenty years of community-centered work in the field at two museums.
In this article, Douglas Simpson, Senior Exhibit Designer and Associate at Cambridge Seven Associates, Inc., provides tips and advice for hiring an exhibit design consultant. Simpson provides resources for finding an exhibit designer, comments on speculative design, and discusses processes like contact negotiations, communication, and documentation.
This article explores the ways museums can utilize portable devices (i.e cell phones) as a way to engage visitors in their exhibits. Featured are three museums experimenting with this technology in their exhibit spaces. Authors include Wayne Labar, Vice President of Exhibitions and Theaters at the Liberty Science Center, Denise Bressler, an Exhibit Developer and Project Manager at the Liberty Science Center, David Asheim, Founder and CEO of Guide by Cell, Peter Samis, Associate Curator of Education and Program Manager of Interactive Educational Technologies, and Stephanie Pau, Associate
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TEAM MEMBERS:
Wayne LaBarDenise BresslerDavid AsheimPeter SamisStephanie Pau
In this article, Wendy Pollock, independent consultant and former manager of the exhibition program at ASTC, reflects on her experience with the science center movement and discusses the unanticipated effects traveling exhibitions can have on host museums and staff. Pollock explains how museums have commoditized exhibitions over time and offers advice on how to improve exhibits and provide visitors with novel experiences.
In this article, Audrey O'Connell, Head of International Business Development at The Natural History Museum, London, describes the CASTEX Project, a collaboration of five European natural history museums who developed a set of guidelines to help museums produce and distribute natural history exhibits. O'Connell addresses the challenges and successes associated with this project.
The article is a summary of the comments and discussions a session at the 2006 AAM conference that addressed what museums in the fields of art, history, and science might learn from each other and how museums might benefit from "cross-pollination." Panel participants were Eric Siegel, Executive Vice President for Programs and Planning at the New York Hall of Science, Benjamin Filene, Director of the Public History Program at the University of North Carolina Greensboro, Deborah Schwartz, President of the Brooklyn Historical Society, and Jennifer MacGregor, Curator of Visual Arts at Wave Hill.
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TEAM MEMBERS:
Eric SiegelBenjamin FileneDeborah SchwartzJennifer MacGregor
In this article, Linda Norris, Managing Partner of Riverhill, recalls her experience as a teaching Fulbright Scholar in Ukraine. Norris focused on professional development in museums through workshops and direct consultations with museums throughout Ukraine. This article summarizes Norris's findings about the state of museums in Ukraine and her personal revelations about museums and museum work.
In this article, photographer Amy Dreher critiques the "Click! A Crowd-Curated Exhibition" at the Brooklyn Museum from a partipant's perspective. The exhibit is based on James Surowiecki's critically acclaimed book, "The Wisdom of Crowds" and features photographs depicting the "changing faces of Brooklyn" submitted by and evaluated by the public.
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TEAM MEMBERS:
Amy DreherNational Association of Museum Exhibition