Carl Batt of Cornell University is a Discovery Corps Senior Fellow for the 2007-2008 academic year. the natural ability of bacterial surface-layer proteins to self-assemble into two-dimensional, nanoscale arrays. These biological arrays will be exploited to produce a variety of nanoscale structures, including silicon nano pillars, which have potential use in new optical and electronic devices. Batt will use the scientific discoveries arising from his research to expand outreach to the public through interactive, traveling museum exhibits and to develop improved models for understanding and describing nanoscale phenomena. The goals of the project include the development of the "Chronicles of a Science Experiment," which will provide the public with a view of the evolution of a science project over time. This Discovery Corps Senior Fellowship is supported by the Division of Chemistry and the Informal Science Education (ISE) program of the Division of Research on Learning in Formal and Informal Settings (EHR/DRL). The Discovery Corps Fellowship Program seeks new postdoctoral and professional development models that combine research expertise with professional service. Discovery Corps Fellows leverage their research expertise through projects that address areas of national need.
CENTC's (Center for Enabling New Technologies Through Catalysis) outreach is focused on partnerships with science centers. Initially we worked with the Pacific Science Center (PSC) to train our students in effective communication of science concepts to public audiences. Later we developed a short-term exhibit, Chemist - Catalysts for Change in the Portal to Current Research space. As part of the CCI/AISL partnership program, we partnered with Liberty Science Center to create an activity on a multi-touch media table, "Molecule Magic." We are currently developing another exhibit with PSC.
This Pathways Project connects rural, underserved youth and families in Eastern Washington and Northern Idaho to STEM concepts important in sustainable building design. The project is a collaboration of the Palouse Discovery Science Center (Pullman, WA), Washington State University and University of Idaho, working in partnership with rural community organizations and businesses. The deliverables include: 1) interactive exhibit prototype activities, 2) a team cooperative learning problem-solving challenge, and (3) take-home materials to encourage participants to use what they have learned to investigate ways to make their homes more energy-efficient and sustainable. The project introduces youth and families to the traditionally difficult physics concept of thermal energy, particularly as it relates to sustainable building design. Participants explore how building materials and their properties can be used to control all three types of heat transfer: conduction, convection, and radiation. The interactive exhibit prototypes are coupled with an Energy Efficient Engineering Challenge in which participants, working in cooperative learning teams, use information learned from the exhibit prototype activities to retrofit a model house, improving its energy efficiency. The project components are piloted at the Palouse Discovery Science Center, and then travel to three underserved rural/tribal communities in Northern Idaho and Eastern Washington. Front-end and formative evaluation studies will demonstrate whether this model advances participant understanding of and interest in STEM topics and careers. The project will yield information about ways that other ISE practitioners can effectively incorporate cooperative learning strategies in informal settings to improve the transferability of knowledge gained from exhibits to real-world problem-solving challenges, especially for rural and underserved audiences. This project will also provide the ISE field with: 1) a model for increasing the capacity of small, rural science centers to form collaborative regional networks that draw on previously unused resources in their communities and provide more effective outreach to the underrepresented populations they serve, and 2) a model for coupling cooperative learning with outreach exhibits, providing richer experiences of active engagement.
This article explores the use of exhibit development as an instructional strategy in the school and in the museum and how both approaches offer innovative alternatives to traditional learning. Linda D'Acquisto, managing owner of Kid Curators, LLC, discusses her work and the value of school museums. Marie Scatena, Youth Programs Manager at the Chicago History Museum, discusses the Teen Chicago project.
This article features critiques of the Darwin Centre, a state-of-the-art science and collection facility at the Natural History Museum in London. Stephen Pizzey, Director (and Founder) of Science Projects in London, Ian Simmons, Science Communication Director at the Centre for LIfe in Newcastle upon Tyne, UK, and Harry White, Science Centre Consultant at Techniquest in Cardiff, Wales, UK, share their analysis of the exhibition and assess its strengths and weaknesses.
DATE:
TEAM MEMBERS:
Stephen PizzeyIan SimmonsHarry White
This article focuses on traveling exhibits with special attention to budgets and contracts. Cathy Ferree Bork, Associate Vice President of Exhibits at the Children's Museum of Indianapolis, and Tamara Wooten-Bonner, Director of Exhibitions and Publications at the Dallas Museum of Art, discuss the nuts and bolts of budgets. Michelle Torres-Carmona, Director of Scheduling & Exhibitor Relations at the Smithsonian Institution Traveling Exhibition Service, and Whitney Owens, Traveling Exhibitions Director at the Field Museum of Natural History, focus on contracts.
DATE:
TEAM MEMBERS:
Michelle Torres-CarmonaCathy BorkTamara Wooten-BonnerWhitney Owens
In this article, John Chiodo, Design Director at Gallagher and Associates, identifies areas of friction that can develop between team members from within institutions and with consulting firms during the collaborative exhibition process. Chiodo provides several examples and shares observations and recommendations based on his 25 years of experience working in teams made up of in-house museum staff and design consultants engaged in developing new interpretive exhibitions or museums.
DATE:
TEAM MEMBERS:
John Chiodo
resourceresearchProfessional Development, Conferences, and Networks
In this article, Phyllis Rabineau, Vice President for Interpretation and Education at the Chicago History Museum, explores the tensions that are unique to history exhibitions. Rabineau shares highlights from conversations with Chicago History Museum colleagues, who have been in the field for 10 years or longer.
In this article, Robert Kiihne, Director of Exhibits at the USS Constitution Museum, describes the planning and research process associated with the "Sailors Speak" and "A Sailor's Life for Me!" exhibitions. The team studied how to encourage Family Learning through hands-on, minds-on, exhibit elements. This article describes research results and makes recommendations about how to better engage multi-generational groups in the educational experience.
The article is a summary of the comments and discussions from the NAME-hosted "What's Going On? Hot Topics in Exhibits" session at the 2006 AAM conference. Paul Martin, Vice President of Exhibits at Science Museum of Minnesota, Janet Kamien, President of Janet Kamien Museum Consulting, Tamara Biggs, Director of Exhibits at the Chicago Historical Society, and Eugene Dillenburg, Exhibit Developer at the Science Museum of Minnesota, as well as other participants addressed the diverging attitudes between new and older exhibit professionals.
This article features critiques of the "Goose Bumps! The Science of Fear" exhibit at the Liberty Science Center. Brenda Cowan, Chairperson of the Graduate Exhibition Design program at SUNY/Fashion Institute of Technology, Paul Orselli, Chief Instigator of Paul Orselli Workshop, and Martin Weiss, Science Interpretation Consultant at the New York Hall of Science, share their analysis of the exhibition and assess its strengths and weaknesses.
In this exhibition review, Barbara Cohen-Stratner, the Judy R. and Alfred A. Rosenberg Curator of Exhibitions for The New York Public Library for the Performing Arts, examines the "Abolition200" project, programs and exhibits that commemorate the 200th anniversary of the Parliamentary act that ended British participation in the Atlantic Slave Trade. Cohen-Stratner focuses on three major exhibitions--one that commissioned a new art work, one that relabeled elements of its permanent display, and one that combined these methods--to discuss how museums can develop exhibitions and reinterpret